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The Meta Incognita Project was initiated to cast new light on the Arctic voyages of Martin Frobisher and their significance for the histories of North America and Britain. Although the Elizabethan venture failed to discover a northwest passage to mines and precious metals, and to establish a colony in the future Canadian Arctic, it left valuable legacies.
The Meta Incognita Project was initiated to cast new light on the Arctic voyages of Martin Frobisher and their significance for the histories of North America and Britain. Although the Elizabethan venture failed to discover a northwest passage to mines and precious metals, and to establish a colony in the future Canadian Arctic, it left valuable legacies.
We live in a "museum age," and sport museums are part of this phenomenon. In this book, leading international sport history scholars examine sport museums including renowned institutions like the Olympic Museum in the Swiss city of Lausanne, the Babe Ruth Birthplace and Museum in Baltimore, the Marylebone Cricket Club Museum in London, the Croke Park Museum in Dublin, and the Whyte Museum in Banff. These institutions are examined in a broad context of understanding sport museums as an identifiable genre in the "museum age", and more specifically in terms of how the sporting past is represented in these museums. Historians explain, debate and critique sport museums with the intention of understanding how this important form of public history represents sport for audiences who see museums as institutions that are inherently reliable and trustworthy.
Writing in Dust is the first sustained study of prairie Canadian literature from an ecocritical perspective. Drawing on recent scholarship in environmental theory and criticism, Jenny Kerber considers the ways in which prairie writers have negotiated processes of ecological and cultural change in the region from the early twentieth century to the present. The book begins by proposing that current environmental problems in the prairie region can be understood by examining the longstanding tendency to describe its diverse terrain in dualistic terms—either as an idyllic natural space or as an irredeemable wasteland. It inquires into the sources of stories that naturalize ecological prosperity...
Westward Bound debunks the myth of Canada’s peaceful West and the masculine conceptions of law and violence upon which it rests by shifting the focus from Mounties and whisky traders to criminal cases involving women between 1886 and 1940. Erickson’s analysis of these cases shows that, rather than a desire to protect, official responses to the most intimate or violent acts betrayed an impulse to shore up the liberal order by maintaining boundaries between men and women, Native people and newcomers, and capital and labour. Victims and accused could only hope to harness entrenched ideas about masculinity, femininity, race, and class in their favour. This fascinating exploration of hegemony and resistance in key contact zones draws prairie Canada into larger debates about law, colonialism, and nation building.
Painted Fires, first published in 1925, narrates the trials and tribulations of Helmi Milander, a Finnish immigrant, during the years approaching the First World War. The novel serves as a vehicle for McClung’s social activism, especially in terms of temperance, woman suffrage, and immigration policies that favour cultural assimilation. In her afterword, Cecily Devereux situates Painted Fires in the context of McClung’s feminist fiction and her interest in contemporary questions of immigration and “naturalization.” She also considers how McClung’s representation of Helmi Milander’s story draws on popular culture narratives.
Storied Landscapes is a beautifully written, sweeping examination of the evolving identity of major ethno-religious immigrant groups in the Canadian West. Viewed through the lens of attachment to the soil and specific place, and through the eyes of both the immigrant generation and its descendants, the book compares the settlement experiences of Ukrainians, Mennonites, Icelanders, Doukhobors, Germans, Poles, Romanians, Jews, Finns, Swedes, Norwegians, and Danes. It reveals how each group’s sense of identity was shaped by a complex interplay of physical and emotional ties to land and place, and how that sense of belonging influenced, and was influenced by, relationships not only within the prairies and the Canadian nation state but also with the homeland and its extended diaspora. Through a close study of myths, symbols, commemorative traditions, and landmarks, Storied Landscapes boldly asserts the inseparability of ethnicity and religion both to defining the prairie region and to understanding the Canadian nation-building project.
What exactly does it mean to be North American? Europeans have been engaged in a long-running debate about the meaning and nature of Europe. The Labyrinth of North American Identities generates a similar discussion in the context of North America: what do we learn about North America as a unit and its individual countries when we explore the idea of a shared North American identity? Combining cultural, anthropological, historical, political, economic, and religious considerations, Philip Resnick acknowledges the relative differences in power and influence of the United States and its North American neighbours but digs deeper to uncover shared characteristics that constitute a labyrinth of No...
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A Spectator Book of the Year “Brilliant, ambitious, and often surprising. A remarkable contribution to the current global debate about empire.” —William Dalrymple, author of The Anarchy: The East India Company, Corporate Violence, and the Pillage of an Empire “Remarkable...The richness of detail and evidence that Stern...brings to his subject is [new]—as is the lucidity with which he organises his material over six long chapters that stretch from the mid-16th century almost to the present.” —Linda Colley, Financial Times “[A] commanding history of British corporate imperialism.” —Michael Ledger-Lomas, London Review of Books Across four centuries and multiple continents, B...