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Light for the New Millennium
Containing a wealth of material on a variety of subjects, Light for the New Millennium tells the story of the meeting of two great men and their continuing relationship beyond the threshold of death: Rudolf Steiner (1861-1925)--the seer, scientist of the spirit, and cultural innovator--and Helmuth von Moltke (1848-1916)--a renowned military man, Chief of the General Staff of the German army during the outbreak of World War I. In 1914, following disagreements with the Kaiser, Moltke was dismissed from his post. This led to a great inner crisis in the General, that in turn drew him closer to Steiner. When Moltke died two years later, Steiner maintained contact with his excarnated soul, receivi...
The Memories, Letters, and Documents of Moltke the Younger
A close, intimate look at Europe's long peace and the dawn of the war that ended it. Leading the German Army at the beginning of the First World War was Moltke the Younger - an officer who had risen through the ranks to become Chief of the German General Staff during the Europe's long peace of 1871-1914. As his career developed, he spent time as a surveyor, climbing mountain trails with his uncle, Moltke the Elder, and became a close friend of Kaiser Wilhelm II. When he died in 1916, his wife was left with years of letters and documents. Originally edited and published in 1922 by Moltke's wife Eliza to redeem her husband's reputation, this is far more than a defence of German strategy. It is an intimate and personal look at the world of the European military officer during the long peace, seen through the eyes of the man who would be tasked with ending it.
Blood and Iron
In the turbulent history of modern Germany the name of Moltke has stood for military power and also enduring moral strength. In the Franco-Prussian War and then World Wars I and II, in each a Moltke was a key figure, culminating in the arrest and execution for conspiracy by the Gestapo of Count Helmuth James von Moltke, the great-great-nephew of Field Marshal von Moltke, who had defeated the Austrians, then besieged and conquered Paris in 1871, and made Germany the dominant power in Europe. The Field Marshal's nephew, Helmuth Johannes Ludwig von Moltke, was Chief of Staff of the German armies in 1914. With his armies on the Maine only twenty miles from Paris, he suffered a nervous breakdown ...
Helmuth Von Moltke and the Origins of the First World War
A study of the influence of German Chief of Staff Helmuth von Moltke, 1906-1914.
Moltke on the Art of War
Field Marshal Helmuth Graf von Moltke is best known for his direction of the German/Prussian campaigns against Austria in 1866 and France in 1870-71, yet it was during his service as chief of the General Staff that he laid the foundation for the German way of war which would continue through 1945. Professor Daniel Hughes of the Air War College, in addition to editing and assisting with the translation of this selection of Moltke’s thoughts and theories on the art of war, has written an insightful commentary on “Moltke the Elder” that places him in the broader context of Prussian military theorist Carl von Clausewitz’s sometimes abstract philosophical ideas. The book also contains an ...
The Schlieffen Plan
With the creation of the Franco-Russian Alliance and the failure of the Reinsurance Treaty in the late nineteenth century, Germany needed a strategy for fighting a two-front war. In response, Field Marshal Count Alfred von Schlieffen produced a study that represented the apex of modern military planning. His Memorandum for a War against France, which incorporated a mechanized cavalry as well as new technologies in weaponry, advocated that Germany concentrate its field army to the west and annihilate the French army within a few weeks. For generations, historians have considered Schlieffen's writings to be the foundation of Germany's military strategy in World War I and have hotly debated the...
Last Letters: The Prison Correspondence between Helmuth James and Freya von Moltke, 1944-45
Available for the first time in English, a moving prison correspondence between a husband and wife who resisted the Nazis. Tegel prison, Berlin, in the fall of 1944. Helmuth James von Moltke is awaiting trial for his leading role in the Kreisau Circle, one of the most important German resistance groups against the Nazis. By a near miracle, the prison chaplain at Tegel is Harald Poelchau, a friend and coconspirator of Helmuth and his wife, Freya. From Helmuth’s arrival at Tegel in late September 1944 until the day of his execution by the Nazis on January 23, 1945, Poelchau would carry Helmuth’s and Freya’s letters in and out of prison daily, risking his own life. Freya would safeguard these letters for the rest of her long life. Last Letters is a profoundly personal record of the couple’s fortitude in the face of fascism.
Behind Valkyrie
"While the "Valkyrie" plot to kill Hitler is the best known instance of German oppositon to his dictatorship, there were many other significant acts of resistance. Behind Valkyrie collects the documents, letters, and testimonies- many available in their entirety and in English for the first time- of Germans who fought Hitler from within."--P. [4] of cover.
Siegfried Kracauer's American Writings
Siegfried Kracauer (1889–1966), friend and colleague of Walter Benjamin and Theodor Adorno, was one of the most influential film critics of the mid-twentieth century. In this book, Johannes von Moltke and Kristy Rawson have, for the first time assembled essays in cultural criticism, film, literature, and media theory that Kracauer wrote during the quarter century he spent in America after fleeing Nazi-occupied Europe. In the decades following his arrival in the United States, Kracauer commented on developments in American and European cinema, wrote on film noir and neorealism, examined unsettling political trends in mainstream cinema, and reviewed the contemporary experiments of avant-garde filmmakers. As a cultural critic, he also ranged far beyond cinema, intervening in debates regarding Jewish culture, unraveling national and racial stereotypes, and reflecting on the state of arts and humanities in the 1950s. These essays, together with the editors' introductions and an afterward by Martin Jay offer illuminating insights into the films and culture of the postwar years and provide a unique perspective on this eminent émigré intellectual.
