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Brazil: A Biography
Since Europeans first reached Brazil in 1500 it has been an unfailing source of extraordinary fascination. More than any other part of the 'New World' it displayed both the greatest beauty and grandeur and witnessed scenes of the most terrible European ferocity. Brazil: A Biography, written by two of Brazil's leading historians and a bestseller in Brazil itself, is a remarkable attempt to convey the overwhelming diversity and challenges of this huge country from its origins to the 21st century - larger than the contiguous USA and still in some regions not fully mapped. The book's major themes are the near-continuous battles to create both political institutions and social frameworks that would allow stable growth, legal norms and protection for all its citizens. Brazil's failure to achieve these except in the very short term has been tragic, but even now it remains one of the world's great experiments - creative, harsh, unique and as compelling a story for its inhabitants as for outsiders.
The Literary Institution in Portugal Since the Thirties
Despite the numerous studies of the politics, economy, culture, and society of the Estado Novo, the relations established between publishers, authors, and governmental institutions and their contribution to the making of the literary canon are still marginal subjects of analysis. Based on the systems theories developed by Bourdieu, Dubois and Even-Zohar, this study focuses on the cultural production produced during the Estado Novo (1933-1974) and after the Revolution (1974-2004), within their political, economic and social framework. The chapters on José Saramago and José Luís Peixoto show them as examples of literary consecration that confirm the systemic relations in the Portuguese literary field. This research makes use of a survey on habits of purchase of Portuguese fiction, interviews with publishers, original statistical analyses, and takes a new approach to the study of Portuguese literature.
Historical Narratives of Global Modern Art
Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.
Portuguese Migrations in Comparison: Historical Patterns and Transnational Continuities
This special issue of the Portuguese Studies Review presents studies by Emir Reitano, Oswaldo Truzzi and Ana Silvia Volpi Scott, Jo-Anne S. Ferreira, Marcelo J. Borges, Heloisa Paulo, Caroline B. Brettell, Zeila de Brito Fabri Demartini, Andrea Klimt, Roselyne de Villanova, Helena Carreiras, Diego Bussola, Maria Xavier, Beatriz Padilla, and Andrés Malamud. The studies cover Portuguese migration to Argentina, anti-Salazarist exiles in Brazil, early post-colonial Goa, post-1974 migration trends in São Paulo, identity and community formation among Portuguese immigrants in Germany and the United States, inter-generational processes characterizing Portuguese immigration to France, and collective identity processes spanning the borders of southern Brazil, Argentina, and Uruguay.
International Film Musical
A unique study of the film musical, a global cinema tradition.
Immigration and Xenophobia
In Immigration and Xenophobia, Rosana Barbosa discusses Portuguese migration to Rio de Janeiro from 1822 to 1850 as a significant aspect of the city's history. During the first half of the nineteenth century, many Portuguese fled the difficult economic and social conditions in Portugal for better economic opportunities in post-independence Brazil, which was experiencing a boom that was fuelled by such commodities as coffee. Its retail commercial sector attracted many immigrants from France, England, Spain, Italy, Germany, and most especially from Portugal. The arrival of Portuguese migrants was facilitated by the fact that they were mostly well received by the Brazilian government and elite,...
Ten Myths About the Jews
Ten Myths about the Jews analyzes the complex facets of anti-Semitism and anti-Judaism in an accessible and easy-to-read format. Based on wide research, Brazilian historian Maria Luiza Tucci Carneiro examines different manifestations against Jews and their faith through history and political culture along the centuries. Ten omnipresent accusations were configured by anti-Semites in axioms that became myths: Myth 1: The Jews killed Christ. Myth 2: The Jews are a secret entity. Myth 3: The Jews control the world economy. Myth 4: There are no poor Jews. Myth 5: The Jews are greedy. Myth 6: The Jews have no homeland. Myth 7: The Jews are racists. Myth 8: The Jews are parasites. Myth 9: The Jews ...
The Politics of the Precariat: From Populism to Lulista Hegemony
Making use of the theoretical tools of Marxist critical sociology, Ruy Braga proposes an innovative reading of the social history of Brazil – from Fordist populism to the Lulista hegemony – using the ‘politics of the Precariat’ as an analytical vector.
Forming Abstraction
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
The Cinema of Spain and Portugal
Providing an overview of Spanish and Portuguese cinema, this title contains 24 essays, each on a separate seminal film from the region, profiling work from the likes of Pedro Almodıvar and João Cesar Monteiro.
