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Despite the numerous studies of the politics, economy, culture, and society of the Estado Novo, the relations established between publishers, authors, and governmental institutions and their contribution to the making of the literary canon are still marginal subjects of analysis. Based on the systems theories developed by Bourdieu, Dubois and Even-Zohar, this study focuses on the cultural production produced during the Estado Novo (1933-1974) and after the Revolution (1974-2004), within their political, economic and social framework. The chapters on José Saramago and José Luís Peixoto show them as examples of literary consecration that confirm the systemic relations in the Portuguese literary field. This research makes use of a survey on habits of purchase of Portuguese fiction, interviews with publishers, original statistical analyses, and takes a new approach to the study of Portuguese literature.
One of the first to provide a socio-legal comparative history of under-studied or ignored Jewish attempts in the 1930s "Anglosphere" to counter the rise in fascist and Nazi antisemitism, this book examines the ways in which Jewish individuals and organized communal bodies in the mid-to-late 1930s sought to counter this increasing antisemitic violence, physical and verbal, by using the law against their fascist and Nazi attackers. This is the first study to explore how Jews in these countries organized themselves, brought their oppressors to court, while seeking to convince their governments that an attack on Jews was a threat to the social order. The book analyzes the networks of knowledge a...
In Immigration and Xenophobia, Rosana Barbosa discusses Portuguese migration to Rio de Janeiro from 1822 to 1850 as a significant aspect of the city's history. During the first half of the nineteenth century, many Portuguese fled the difficult economic and social conditions in Portugal for better economic opportunities in post-independence Brazil, which was experiencing a boom that was fuelled by such commodities as coffee. Its retail commercial sector attracted many immigrants from France, England, Spain, Italy, Germany, and most especially from Portugal. The arrival of Portuguese migrants was facilitated by the fact that they were mostly well received by the Brazilian government and elite,...
Ten Myths about the Jews analyzes the complex facets of anti-Semitism and anti-Judaism in an accessible and easy-to-read format. Based on wide research, Brazilian historian Maria Luiza Tucci Carneiro examines different manifestations against Jews and their faith through history and political culture along the centuries. Ten omnipresent accusations were configured by anti-Semites in axioms that became myths: Myth 1: The Jews killed Christ. Myth 2: The Jews are a secret entity. Myth 3: The Jews control the world economy. Myth 4: There are no poor Jews. Myth 5: The Jews are greedy. Myth 6: The Jews have no homeland. Myth 7: The Jews are racists. Myth 8: The Jews are parasites. Myth 9: The Jews ...
A unique study of the film musical, a global cinema tradition.
This book deals with the work of twentieth-century women artists and literary authors from Portugal, Brazil and Portuguese-speaking African countries against the backdrop of political dictatorships. The essays in this volume reflect upon and challenge canonical perspectives on the arts and literature, bringing to light some of the hidden and silenced faces of Lusophone culture. By doing so, they highlight how dominant ideologies marked the artistic and literary practices of Portuguese-speaking women, and how these women in turn developed strategies of resistance through their creative work. The volume brings together contributors working in a range of disciplines, including literary criticism, the visual arts, and film studies, all of whom reflect on themes such as the reactions of women artists to authoritarianism, the representations of political repression in their work, the colonial war, and the critical revision of this historical moment by a younger generation of artists. It addresses scholars, critics, students and cultural workers with an interest in post-colonial and feminist studies in the Portuguese-speaking context.
This volume promotes recent and innovative research in different areas of knowledge within the scope of Iberian studies, contributing to the deepening and dissemination of this expanding research area. This book makes available new approaches to the study of Iberian and Ibero-American spaces and cultures, with particular emphasis on Portuguese-Galician, Basque and Catalan identities produced in the aftermath of the Spanish Civil War, and during dictatorship. A considerable number of chapters discuss issues of memory, reflecting the impact of the Historical Memory Law in Spain and its lively discussion in the public sphere. Social mobilization and economic dynamics also play an important role in this volume. In addition, transatlantic contacts with Portuguese and Spanish speaking countries are covered, giving expression to the most recent trends in Iberian studies, which is broadening its scope to exchanges and influences between the Iberian Peninsula and South America and Africa. This volume will be of interest to students, developing and established researchers, and experts in Iberian studies.
Making use of the theoretical tools of Marxist critical sociology, Ruy Braga proposes an innovative reading of the social history of Brazil – from Fordist populism to the Lulista hegemony – using the ‘politics of the precariat’ as an analytical vector. Braga’s analysis seeks to explain both economic and structural processes (peripheral Fordism, its crisis, the transition to financialised post-Fordism) and the subjective dimension of the proletariat suffering from precarity (the anxiety of the subordinate, the preoccupation of the worker, the plebeian or classist drive of the exploited). At the moment when the plebeian drive is once again stimulating strike activity in the country, underlined by the protests that have recently shaken Brazil, this book impels us to reflect on the limits of the current model of Brazilian development. First published in Portugese as A política do precariado: do populismo à hegemonia lulista by Boitempo Editorial in 2012.
Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.
This book examines the immigration to Brazil of millions of Europeans, Asians and Middle Easterners beginning in the nineteenth century.