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The first complete history of the Indian National Army and its fight for independence against the British in World War II.
The book include the generosity and mental make-up of Deshbandhu, his patriotism, his dutifulness towards his associates and co-workers, his nature, advocation to solve country's multifarious problems and his close and cordial relationship with the reputed leaders of his time.
Explores the fascinating career of Maurice E. Bandmann and his global theatrical circuit in the early twentieth century.
Historians of theatre face the same temptations and challenges as other historians: they negotiate assumptions (their own and those of others) about national identity and national character; they decide what events and actors to highlight--or omit--and what framework and perspective to use for telling the story. Personal biases, trends in scholarship, and sociopolitical contexts influence all histories; and theatre histories, too, are often revised to reflect changing times and interests. This significant collection examines the problems and challenges of formulating national theatre histories.The essayists included here--leading theatre scholars from all over the world, many of whom wrote e...
This is Volume V out of eleven that form a collection on India, its History, Economy and Society. First published in 1930, this book looks at the origin and development of Bengali Drama and contains matter for historians, as well as direct criticism of what the author considers to be genuinely dramatic in the literature of Bengal, past or present.
This is a ground-breaking history of the Rani of Jhansi Regiment, part of the Indian National Army led by Bengali revolutionary Subhas Chandra Bose during World War II. The Regiment, a hitherto forgotten part of "the Forgotten Army," was composed largely of teenage volunteers from Malayan rubber estates, girls who had never seen India yet were eager to enlist to liberate India from colonial bondage. Bose, creator of the Regiment, connected a historical thread extending from the original Rani of Jhansi, killed in battle by the British in 1858, through Bengali women revolutionaries of the 1930s, to the Regiment, which he hoped would spearhead the liberation of India. The Rani of Jhansi Regiment provides a model of empowerment relevant for contemporary Indian women.
The appearance of Deshbandhu Chittaranjan on the political arena of India during the second decade of the 20th century, marked a new epoch in the freedom struggle. The author who knew him personally, has rendered a great service by presenting his short biography.
The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural phenomenon and the precursor of the Indian cinema industry. By providing extensive, unpublished information on its first actors, audiences, production methods, and plays, this book traces how the theatre—which was one of the first in the Indian subcontinent to adopt European stagecraft—transformed into a pan-Asian entertainment industry in the second half of the nineteenth century. Nicholson sheds light on the motivations that led to the development of the popular, commercial theatre movement in Asia through three areas of investigation: the vernacular public sphere, the emergence of competing visions of nationhood, and the narratological function that women served within a continually shifting socio-political order. The book will be of interest to scholars across several disciplines, including cultural history, gender studies, Victorian studies, the sociology of religion, colonialism, and theatre.