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Recycling the Remnants of the Literary Text
Recycling the Remnants of the Literary Text: Verandas for the Residual and the Emergent addresses literary recycling as a creative endeavour that supplements meaning through appropriating remnants of texts and transforming them into traces or echoes of their former selves within a new narrative design. It approaches recycling as a process that extends verandas of meanings and creates sites for ongoing discursive accretion of signification through the dialogic encounter between the old and the new, “the residual” and “the emergent.” Whether seen as markers of the capacity of the literary text to surprise and haunt it readers, or residues of systems of representations predicated on sel...
Politics and Poetics of Belonging
The contributions gathered in this volume bear witness to the fact that belonging is a multi-faceted concept that necessitates different and shifting idioms of expression. It continually requires reconsideration and redefinition of our affiliations in response to the rapid social, cultural, and political changes of our world. The literary paradigms, linguistic practices, and cultural formations of belonging testify to the impossibility of confining it to conventional and established structures of knowledge. The different reflections on belonging introduced in this book are instrumental in reassessing and remodelling the general assumptions that have informed its definition and representation. The current global reality and the self-other encounter make inevitable the continuous search for new forms of belonging that are in tune with one’s evolving and changing sense of self. Theoretically informed by and substantially grounded in lively and heated debates on cultural identity and belonging, this book proposes new critical directions in understanding national and transnational belonging.
Motifs and Symbols in Virginia Woolf's To the Lighthouse
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1, University of Trier, course: Virginia Woolf, language: English, abstract: Virginia Woolf’s fifth novel To the Lighthouse, which first appeared in 1927, captures its readers with its characterisation of the Ramsay family and their guests who meet at their holiday home on the Isle of Skye, an island near the Scottish mainland. The novel is set in a ten year period with the first section taking place on a day before the First World War, a middle period in which all the action happens “off stage” during the war and a last section taking place on a day after the war. Virginia Wool...
The Contemporary British Novel
Second edition of this guide for students studying contemporary British writing - written by one of the key academics in the field of modern fiction studies.
Nanotechnology for Agriculture: Crop Production & Protection
The emergence of nanotechnology and the development of new nanodevices and nanomaterials have opened up exciting opportunities for novel applications in agriculture and biotechnology. Nanotechnology has the potential to modernize agricultural research and practice, but although it has gained momentum in the agriculture sector over last decade, there are still knowledge gaps between scientific communities. This book presents a comprehensive overview of current developments in nanotechnology-based sustainable agriculture. Focusing on various aspects of nanotechnology in different sectors of agriculture, such as crop production, soil fertility management and crop improvement, it offers insights...
Texts from the Middle
Texts from the Middle is a companion primary source reader to the textbook The Sea in the Middle. It can be used alone or in conjunction with the textbook, providing an original history of the Middle Ages that places the Mediterranean at the geographical center of the study of the period from 650 to 1650. Building on the textbook’s unique approach, these sources center on the Mediterranean and emphasize the role played by peoples and cultures of Africa, Asia, and Europe in an age when Christians, Muslims, and Jews of various denominations engaged with each other in both conflict and collaboration. The supplementary reader mirrors the main text’s fifteen-chapter structure, providing six sources per chapter. The two texts pair together to provide a framework and materials that guide students through this complex but essential history—one that will appeal to the diverse student bodies of today.
Mulheres de Ditadores
Chamavam-se Inessa, Clara, Nadia, Magda, Felismina, Jiang Qing, Elena, Catherine... E eles Lenine, Mussolini, Estaline, Hitler, Salazar, Mao, Ceausescu, Bokassa. Prostitutas ou mulheres da alta burguesia intelectual, paixões fugazes ou amores intensos, eles maltratavam ou adoravam-nas, mas, sistematicamente, voltavam para os seus braços. Esposas, companheiras, musas, admiradoras, todas têm em comum o facto de terem sido vencedoras, enganadas e sacrificadas. Aos seus homens cruéis, violentos, tiranos e infiéis, faziam crer que eram belos, charmosos e todo-poderosos. Sendo a virilidade um dos alicerces do poder absoluto, os ditadores sentiam a necessidade de juntar figuras femininas ao imaginário de poder e domínio que criaram. E assim controlando-os na sombra, por vezes, até à morte, como se vivessem sob a égide de um Pigmaleão. Diane Ducret relata em detalhe os momentos, as estratégias de sedução, os casos amorosos, as intervenções políticas e os destinos diversos, ocasionalmente trágicos, das mulheres que cruzaram o caminho ou passaram pelo leito dos ditadores.
Dead as They Come
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Melodious Accord
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