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Companion website, featuring additional resources such as sound files, can be found here: http://www.blackwellpublishing.com/phonetics/ Providing a comprehensive overview of the four primary areas of phonetics, Phonetics: Transcription, Production, Acoustics, and Perception is an ideal guide to the complete study of speech and sound. An accessible but in-depth introductory textbook on the basic concepts of phonetics Covers all four areas of phonetics: transcription, production, acoustics, and perception Offers uniquely thorough coverage of related relevant areas, including vocal fold vibration and the working of the ear, creating an engagingly flexible work for instructors Includes chapter-by-chapter exercises, enabling students to put their knowledge into practice Written in a clear and concise style by two of the field’s leading scholars
What happens phonetically in the production of stems in words such as days and daze? Do inflectional stems differ phonetically from monomorphemic words? Can these differences be perceived? This volume aims to answer these questions in a replication project by investigating data from two corpora and a production experiment, as well as by extending this research with two perception experiments. It investigates what happens phonetically in the stems of words that end in homophonous suffixes, and whether listeners can perceive these subtle phonetic differences. Two potential effects were termed; categorical paradigm uniformity, in which stems of words ending in [s, z] are expected to have longer durations if these words are morphologically complex (e.g. days is longer than daze), as well as gradient paradigm uniformity, in which the frequency of related words is expected to have an influence on paradigm members (e.g. day influences days). Findings from these studies contribute to a growing body of research in the field of morphophonetics.
This collection of recent papers in Laboratory Phonology approaches phonological theory from several different empirical directions. Psycholinguistic research into the perception and production of speech has produced results that challenge current conceptions about phonological structure. Field work studies provide fresh insights into the structure of phonological features, and the phonology-phonetics interface is investigated in phonetic research involving both segments and prosody, while the role of underspecification is put to the test in automatic speech recognition.
The Sociophonetics of Dublin English shows how social inequalities and language are connected by the stances speakers take in interaction. It is based on an instrumental phonetic analysis of recorded interviews and broadcasting data and a detailed qualitative account of the same data as well as the socio-cultural context in Ireland. The analysis not only considers macro-social categories but also pragmatic norms and situational, more fluid aspects of communication. Contemporary social meanings and associated phonetic realisations are described and explained as the result of diachronic developments. Since the independence of Ireland local pronunciations have been re-evaluated and realisations connected with the former coloniser have fallen out of use even in formal and powerful domains. This investigation thus highlights the importance of diachronic data to understand contemporary sociolinguistic variation.
This volume includes papers by leading figures in phonetics and phonology on two topics central to phonological theory: tones and phonological features. Papers address a wide range of topics bearing on tones and features including their formal representation and phonetic foundation.
This handbook presents detailed accounts of current research in all aspects of language prosody, written by leading experts from different disciplines. The volume's comprehensive coverage and multidisciplinary approach will make it an invaluable resource for all researchers, students, and practitioners interested in prosody.
This widely acclaimed textbook provides a complete introduction to the phonology of human languages ideal for readers with no prior knowledge of the subject. This skilfully written text provides a broad, yet up-to-date, introduction to phonology. Assuming no previous knowledge of phonology or linguistic theory, the authors introduce the basic concepts and build on these progressively, discussing the main theories and illustrating key points with carefully chosen examples. A wide range of phenomena are covered: speech production, segmental contrasts, tone, quantity, prosodic structure, metrical relations and intonation. The main theories, including feature geometry and optimality theory are introduced, and their contributions to our understanding of phonology, as well as their shortcomings, are discussed objectively. This new edition has been updated and revised to meet the needs of today's students. Difficult points are given fuller explanation, references have been updated, and new exercises have been introduced to enable students to consolidate their learning.
A unique examination of the features of language: how features vary between languages and also how they work.
Accessible, succinct, and including numerous student-friendly features, this introductory textbook offers an exceptional foundation to the field for those who are coming to it for the first time. Provides an ideal first course book in phonology, written by a renowned phonologist Developed and tested in the classroom through years of experience and use Emphasizes analysis of phonological data, placing this in its scientific context, and explains the relevant methodology Guides students through the larger questions of what phonological patterns reveal about language Includes numerous course-friendly features, including multi-part exercises and annotated suggestions for further reading at the end of each chapter
A comprehensive overview of theories of the mental representation of the sounds of language.