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The Person at the Crossroads: A Philosophical Approach
‘The Person at the Crossroads: A Philosophical Approach’ brings together scholars from around the world who share a common interest in the nature and activity of the human person. Personhood is examined from a variety of perspectives, both philosophical and theological, drawing on the rich traditions of both Western and Eastern thought. Readers will find themselves on a journey through the works of past and current scholars including, Confucius, Augustine, David Hume, Immanuel Kant, Horace Bushnell, Maurice Merleau-Ponty, Michael Polanyi, Rudolf Carnap, Karol Wojtyla, Erazim Kohak, and many other authors who touch upon the personalist tradition and the human person. This volume will be of particular interest to readers interested in the nature of the human person, as well as philosophy and theology undergraduate and graduate students and professors teaching in these areas.
Avant-garde
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Avant-garde: the Experimental Theater in France
Discusses playwrights such as Samuel Beckett, Eugene Ionesco, Arthur Adamov, Jean Genet, Jean Tardieu, Jean Vauthier, Henri Pichette, Michel de Ghelderode, Jacques Audiberti, and Georges Schehade.
Uncivil War
Uncivil War is a provocative study of the intellectuals who confronted the loss of France's most prized overseas possession: colonial Algeria. Tracing the intellectual history of one of the most violent and pivotal wars of European decolonization, James D. Le Sueur illustrates how key figures such as Albert Camus, Jean-Paul Sartre, Simone de Beauvoir, Germaine Tillion, Jacques Soustelle, Raymond Aron, Claude Lévi-Strauss, Albert Memmi, Frantz Fanon, Mouloud Feraoun, Jean Amrouche, and Pierre Bourdieu agonized over the "Algerian question." As Le Sueur argues, these individuals and others forged new notions of the nation and nationalism, giving rise to a politics of identity that continues to influence debate around the world. This edition features an important new chapter on the intellectual responses to the recent torture debates in France, the civil war in Algeria, and terrorism since September 11.
The Baton Rouge Interviews
This collection of interviews is remarkable in the way that it assembles so many of the major strains of Glissant's thought, and stunning in the expansive erudition at work in the composition of that thought. Both in exposition and execution, herein lies the transformative power of Relation.
Introduction to a Poetics of Diversity
This book consists of four lectures and six interviews; it covers a wide range of topics central to Glissant's thought - such as creolization, langage, culture and identity, 'atavistic' versus 'composite cultures' - presented in a particularly accessible form because here Glissant interacts with the views of other people.
Samuel Beckett's Waiting for Godot
"An impressively complete survey of the play in its cultural, theatrical, historical and political contexts." - David Bradby, co-editor of Contemporary Theatre Review Samuel Beckett's Waiting for Godot is not only an indisputably important and influential dramatic text -it is also one of the most significant western cultural landmarks of the twentieth century. Originally written in French, the play first amazed and appalled Parisian theatre-goers and critics before receiving a harshly dismissive initial critical response in Britain in 1955. Its influence since then on the international stage has been significant, impacting on generations of actors, directors and audiences.
Die Romische Republik
Provides a comprehensive introduction to 20th- and 21st-century world poets and their most famous, most distinctive, and most influential poems.
Jacques Prévert
A wide-ranging study of Prévert’s promethean imagination and creativity in the interwoven realms of theatre, film, poetry, art, photography, and song, Michael Bishop’s Jacques Prévert seeks to demonstrate the originality of a genial fabricator of image and word whose essential focus, unpretentious yet urgently felt, unintellectualised yet buoyantly and wittily intelligent, ever remains the quality of our daily being-in-the-world, the possibility of our self-transformation, the stunning availability – should we truly will it, and despite all that can weigh upon existence, above all ideologically – of joy and love and freedom.
The Blue Period
Addresses the political and aesthetic evolution of African American literature and its authors during the Cold War, an era McCarthy calls “the Blue Period.” In the years after World War II, to be a black writer was to face a stark predicament. The contest between the Soviet Union and the United States was a global one—an ideological battle that dominated almost every aspect of the cultural agenda. On the one hand was the Soviet Union, espousing revolutionary communism that promised egalitarianism while being hostile to conceptions of personal freedom. On the other hand was the United States, a country steeped in racial prejudice and the policies of Jim Crow. Black writers of this time ...
