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Martin R. Delany’s Blake (1859, 1861–1862) is one of the most important African American—and indeed American—works of fiction of the nineteenth century. It tells the story of Henry Blake’s escape from a southern plantation and his subsequent travels across the United States, into Canada, and to Africa and Cuba. His mission is to unite the black populations of the American Atlantic regions, both free and slave, in the struggle for freedom, whether through insurrection or through emigration and the creation of an independent black state. Blake is a rhetorical masterpiece, all the more strange and mysterious for remaining incomplete, breaking off before its final scene. This edition o...
The story is set in the present on the campus of a university in fictional Churchton, Illinois, modeled on Northwestern University in Evanston, Illinois, where Bertram Cope, an attractive young English instructor, is spending a year completing his thesis. While he has a certain sophistication, he is socially unaware, easily impressed by the wealthy and their comforts. Lacking confidence, Cope is too careful and self-conscious as he tries to find his place in local society. Cope's primary emotional attachment is to his college chum Arthur Lemoyne, who comes to live with him. Will Arthur and Bertram ever re-unite? What all has fate in store for Bertram?
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Traces the evolution of hebraic etymologies and mystical grammars as indicators of a profound shift in Blake's subjective consciousness from the earliest prose tracts, worked on before 1790, to the last years of his life, when he was still completing 'Jerusalem'.