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Plays by H. J. Byron
This volume introduces the works of an important but neglected dramatist, one of the most prolific and popular of the mid-Victorian period. H. J. Byron wrote an enormous number of comedies, burlesques and pantomimes. He invented the characters of Widow Twankay and Buttons, still beloved by modern pantomime audiences. His burlesques of melodrama helped to bring an end to the more outlandish examples of the genre; inveterate punning became his trademark. Byron was also a competent editor, theatre manager and actor specializing in the eccentric roles of his own plays. As playwright he was second only to W. S. Gilbert and Tom Robertson, whose careers he helped to further. Jim Davis has edited four of the plays, illustrating them with contemporary drawings and providing an extensive introduction.
How to Tame Your Mother-in-law; a Farce in One Act
Henry James Byron's uproarious farce tells the story of a young couple struggling to assert their independence against the meddling influence of their overbearing mother-in-law. With witty dialogue, hilarious situations, and a cast of unforgettable characters, this play is a comedy classic that is sure to leave audiences in stitches. This is a must-read for anyone looking for a good laugh! This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Partners for Life
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Byron's "Corbeau Blanc"
"Elizabeth Lamb, Viscountess Melbourne (née Elizabeth Milbanke; 1750 ? 1818) was one of the most influential of the political hostesses of the extended Regency period, and the wife of Whig politician Peniston Lamb, 1st Viscount Melbourne. She was the mother of William Lamb, 2nd Viscount Melbourne who became Prime Minister of the United Kingdom amongst several other influential children. Lady Melbourne was known not just for her political influence but also for her friendships and romantic relationships with members of London society including Georgiana Cavendish, Duchess of Devonshire, George, Prince of Wales and Lord Byron."--Wikipedia.
"Good Old Gaiety"
In this memoir, John Hollingshead recounts his experiences as the manager of the Gaiety Theatre, a popular music hall in London during the late 1800s. With its mix of comedy, spectacle, and risque entertainment, the Gaiety was at the forefront of the Victorian era's theatrical revolution. Hollingshead provides readers with a fascinating glimpse into the world of music hall entertainment and Victorian popular culture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Our Boys, a Comedy in Three Acts
Frank E. Fowle and Henry J. Byron's classic comedy tells the story of three young boys who, tired of being endlessly scolded and punished, decide to run away from home and embark on a series of hilarious misadventures. This witty and engaging play is a must-read for anyone with a love of old-fashioned comedy and charming characters. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Lady Byron and Her Daughters
A startling reevaluation of Lady Byron’s marriage and the untold story of her complex life as single mother and progressive force. The center of public attention after her tumultuous marriage to Lord Byron, Annabella Milbanke transformed herself from a neglected wife into a figure of incredible resilience and social vision. After she and her infant child were cast out of their home, she was left to navigate the stifling and unsupportive social environment of Regency England. Far from a victim or an obstacle to Byron’s work, however, Lady Byron was a rebel against the fashionable snobbery of her class, founding the first Infants School and Co-Operative School in England. A poet and talent...
Our Boys
Frank E. Fowle and Henry J. Byron's classic comedy tells the story of three young boys who, tired of being endlessly scolded and punished, decide to run away from home and embark on a series of hilarious misadventures. This witty and engaging play is a must-read for anyone with a love of old-fashioned comedy and charming characters. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
