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In Fetish, Henry Krips draws together Freudian and Marxian insights to provide accounts of fetishism and the gaze that afford new ways of understanding the relation of the individual to the social, of pleasure to desire. He uses discrete cultural artifacts as windows through which to view local instances of the mediation of pleasure and desire, demonstrating that users of cultural objects adapt them to suit their own strategic ends. Ranging widely over texts and cultures, he discusses Hopi initiation rites, Holbein's painting The Ambassadors, Robert Boyle's early scientific manual New Experiments Physico-Chemical, Toni Morrison's Beloved, the popular television series Mystery Science Theatre...
He shows that this theory can illuminate a wide variety of hitherto unresolved philosophical problems: these include the direction and flow of time, the nature of scientific laws, the interpretation of quantum mechanics, the definition of probability, counterfactual semantics, and the notions of identity, essential properties, deliberation, decision, and free will.
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Not many Australian artists can boast of designing clothes for Josephine Baker and Colette, in Paris in the 1920s, or of having served in the French Foreign Legian. Austraian born, with more than 50 years spent in Australia, Kahan has sketched and painted musicians for most of this time.
This book is volume 1 of a 4 volume series, the first 3 of which have been published by Xlibris and the 4th almost complete for imminent delivery. In its entirety this work is the most comprehensive and accurate account of Australian Classical Music making ever undertaken. The 4 volumes cover the period from 1901-2012 and include more than 800 composers, famous and obscure, with more than 30,000 compositions including details of their premieres (where, when and by whom). Individual performers, ensembles, orchestras, opera and ballet companies, music educators, instrument makers, entrepreneurs, academics, philanthropists, musicologists and critics are included as part of the story. The founda...
Only in the past twenty years have debates surrounding modernism and postmodernism begun to have an impact on economics. This new way of thinking rejects claims that science and mathematics provide the only models for the structure of economic knowledge. This ground-breaking volume brings together the essays of top theorists including Arjo Klamer, Deirdre McCloskey, Julie Nelson, Shaun Hargreaves-Heap and Philip Mirowski on a diverse range of topics such as gender, postcolonial theory and rationality as well as postmodernism.
Since the Niels Bohr centenary of 1985 there has been an astonishing international surge of scholarly analyses of Bohr's philosophy. Now for the first time in Niels Bohr and Contemporary Philosophy Jan Faye and Henry Folse have brought together sixteen of today's leading authors who have helped mould this new round of discussions on Bohr's philosophy. In fifteen entirely new, previously unpublished essays we discover a surprising variety of the different facets of Bohr as the natural philosopher whose `framework of complementarity' shaped the final phase of the quantum revolution and influenced two generations of the century's leading physicists. There is much on which the authors included here agree; but there are also polar disagreements, which assure us that the philosophical questions revolving around Bohr's `new viewpoint' will continue to be a subject of scholarly interest and discussion for years to come. This collection will interest all serious students of history and philosophy of science, and foundations of physics.
This book is volume 2 of a 4 volume series, the first 3 of which have been published by Xlibris and the 4th almost complete for imminent delivery. In its entirety this work is the most comprehensive and accurate account of Australian Classical Music making ever undertaken. Its scope is from 1901-2012 and includes more than 800 composers, famous and obscure, with more than 30,000 compositions including details of their premieres (where, when and by whom). Individual performers, ensembles, orchestras, opera and ballet companies, music educators, instrument makers, academics, entrepreneurs, philanthropists and critics are included as part of the story. The foundation and demise of music institu...