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In the late nineteenth and early twentieth centuries, Italian Renaissance art, objects, and even the idea of Italy itself figured heavily both in the dynamic international art market and in the eyes of the general public. The alternative objects that were actively dispersed and collected -- authentic works, pastiches, Renaissance-inspired counterfeits, and reproductions -- in the diverse media of paint, plaster, terracotta, and photography, had a tremendous impact on visual culture across social strata. These essays examine less studied aspects of this market through the lens of just a few of the countless successful sales of objects out of Italy.
John Sayles (1633-1681) immigrated from England to Providence, Rhode Island in 1650, and married Mary Williams in 1651. Descendants lived in New England, West Virginia, Texas, New Mexico, Arizona, Utah and elsewhere.
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