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John Shepherd, His Life and Music
  • Language: en
  • Pages: 902

John Shepherd, His Life and Music

  • Type: Book
  • -
  • Published: 1963
  • -
  • Publisher: Unknown

None

Catalog of Copyright Entries, Third Series
  • Language: en
  • Pages: 1400

Catalog of Copyright Entries, Third Series

  • Type: Book
  • -
  • Published: 1965
  • -
  • Publisher: Unknown

The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).

Catalog of Copyright Entries
  • Language: en
  • Pages: 1454

Catalog of Copyright Entries

  • Type: Book
  • -
  • Published: 1967
  • -
  • Publisher: Unknown

None

National Union Catalog
  • Language: en
  • Pages: 632

National Union Catalog

  • Type: Book
  • -
  • Published: 1956
  • -
  • Publisher: Unknown

Includes entries for maps and atlases

Catalog of Copyright Entries. Fourth Series
  • Language: en
  • Pages: 1468

Catalog of Copyright Entries. Fourth Series

  • Type: Book
  • -
  • Published: 1965
  • -
  • Publisher: Unknown

None

Catalog of Copyright Entries. Third Series
  • Language: en
  • Pages: 1452

Catalog of Copyright Entries. Third Series

  • Type: Book
  • -
  • Published: 1965
  • -
  • Publisher: Unknown

None

Early English Composers and the Credo
  • Language: en
  • Pages: 289

Early English Composers and the Credo

This book develops an innovative approach for understanding the relationship between music and words in the works of five major composers of the English Renaissance: John Taverner, Christopher Tye, John Sheppard, Thomas Tallis, and William Byrd. Focusing on these composers’ settings of the Latin Credo, the author shows how musical and linguistic emphasis can be used to understand the composers’ theological interpretations of the text. By combining markedness theory with style analysis, this study demonstrates that the composers used their musical skills to not only create beautiful music but also raise certain elements of the text to the foreground of perception and relegate others to supporting roles, inviting listeners to experience the familiar words of the liturgy in unique ways. Providing new insights into the changing musical and religious world of the sixteenth century, this book is relevant to anyone researching music or religion in early modern England, while offering a flexible and widely adaptable tool for the analysis of musical-textual relationships.

The Dignity of Working Men
  • Language: en
  • Pages: 406

The Dignity of Working Men

Michèle Lamont takes us into the world inhabited by working-class men--the world as they understand it. Interviewing black and white working-class men who, because they are not college graduates, have limited access to high-paying jobs and other social benefits, she constructs a revealing portrait of how they see themselves and the rest of society. Morality is at the center of these workers' worlds. They find their identity and self-worth in their ability to discipline themselves and conduct responsible but caring lives. These moral standards function as an alternative to economic definitions of success, offering them a way to maintain dignity in an out-of-reach American dreamland. But thes...

Books and Pamphlets, Including Serials and Contributions to Periodicals
  • Language: en
  • Pages: 1534