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Browning's Beginnings
  • Language: en
  • Pages: 271

Browning's Beginnings

Browning's Beginnings was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Browning's Beginnings offers a fresh approach to the poet who, among major Victorians, has proved at once the most congenial and most inscrutable to modern readers. Drawing on recent developments in literary theory and in the criticism of romantic poetry, Herbert F. Tucker, Jr., argues that Browning's stylistic "obscurity" is the result of a principled poetics of evasion. This art of disclosure, in deferring formal and semantic finalities, constitutes an...

Tennyson's Rapture
  • Language: en
  • Pages: 408

Tennyson's Rapture

  • Type: Book
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  • Published: 2008-01-29
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  • Publisher: OUP USA

This book explores Tennyson's representation of rapture as a radical mechanism of transformation--theological, social, political, or personal--and as a figure for critical processes in his own poetics. Offering a new approach to reading Victorian dramatic monologues, Pearsall probes the complex aims of these performances, showing how speakers' ambitions are both articulated in, and attained through, their consequential speech.

The Female Sublime from Milton to Swinburne
  • Language: en
  • Pages: 292

The Female Sublime from Milton to Swinburne

This innovative study of vision, gender and poetry traces Milton's mark on Shelley, Tennyson, Browning and Swinburne to show how the lyric male poet achieves vision at the cost of symbolic blindness and feminisation. Drawing together a wide range of concerns including the use of myth, the gender of the sublime, the lyric fragment, and the relation of pain to creativity, this book is a major re-evaluation of the male poet and the making of the English poetic tradition.The female sublime from Milton to Swinburne examines the feminisation of the post-Miltonic male poet, not through cultural history, but through a series of mythic or classical figures which include Philomela, Orpheus and Sappho. It recovers a disfiguring sublime imagined as an aggressive female force which feminises the male poet in an act that simultaneously deprives and energises him. This book will be required reading for anyone with a serious interest in the English poetic tradition and Victorian poetry.

The Power of Genre
  • Language: en
  • Pages: 218

The Power of Genre

The Power of Genre was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The Power of Genre is a radical and systematic rethinking of the relationship between literary genre and critical explanation. Adene Rosmarin shows how traditional theories of genre—whether called "historical," "intrinsic," or "theoretical"—are necessarily undone by their attempts to define genre representationally. Rather, Rosmarin argues, the opening premise of critical argument is always critical purpose or, as E. H. Gombrich has said, function, and ...

Catholic Sensationalism and Victorian Literature
  • Language: en
  • Pages: 332

Catholic Sensationalism and Victorian Literature

Catholic Sensationalism and Victorian Literature offers a highly original examination of Victorian sensationalism through the exploration of popular literary representations of Roman Catholicism, that exotic, corrupt religious Other which is inscribed as the implacable anti-English enemy. The book demonstrates how new understandings of cultural tensions of the period are gained through the association of Roman Catholicism with secular fears of crime, sex and violence, rather than with theological ‘excesses’ and doctrinal ‘superstitions’.

Proceedings of the Board of Regents
  • Language: en
  • Pages: 1374

Proceedings of the Board of Regents

  • Type: Book
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  • Published: 1984
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  • Publisher: Unknown

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Making the English Canon
  • Language: en
  • Pages: 297

Making the English Canon

Jonathan Brody Kramnick's book examines the formation of the English canon over the first two-thirds of the eighteenth century. Kramnick details how the idea of literary tradition emerged out of a prolonged engagement with the institutions of cultural modernity, from the public sphere and national identity to capitalism and the print market. Looking at a wide variety of eighteenth-century critical writing, he analyses the tensions that inhabited the categories of national literature and public culture at the moment of their emergence.

Becoming Browning
  • Language: en
  • Pages: 312

Becoming Browning

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British Enlightenment Theatre
  • Language: en
  • Pages: 297

British Enlightenment Theatre

Reveals how England's eighteenth-century theatre dramatized anti-imperial protest, and gave voice to oppressed groups.

Robert Browning
  • Language: en
  • Pages: 93

Robert Browning

Provides insight into five of Browning's most influential works along with a brief biography of the poet.