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The Culture of Obesity in Early and Late Modernity
This book offers the first sustained examination of fatness in the early modern period. Using readings of such major figures as Shakespeare, Jonson, Middleton, and Skelton, this book considers alternative ways that fat was constructed before the introduction of the modern pathologized category of 'obesity'.
Middleton and Rowley
Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work. This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collaborative relationships that factor into a play's meaning, including playwrights, actors, companies, playhouses, and patrons. This kaleidoscopic approach, which views the plays from all these perspectives, throws new light on the Middleton-Rowley oeuvre and on early modern dramatic collaboration as a whole.
The End of Satisfaction
Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term "satisfaction" as used in dramas of the sixteenth and early seventeenth centuries.
Radical Comedy in Early Modern England
Drawing on the generic and mythic strength of comedy and the theories of Bakhtin, Bergson, and Hobbes, this book identifies the radical nature of early modern English comedy. The satirical comedic actions that shape the "Shepherds' Play," Thomas Dekker's pamphlets, and the comic dramas of Marston, Middleton, and Jonson are all driven, Bowers points out, by an ability to criticize authority, assert plebeian culture, and insist on the complexity and innovation of human discourse. The texts examined (including The Jew of Malta, Metamorphosis of Ajax, Antonio and Mellida, Bartholomew Fair, The Alchemist, and A Chaste Maid in Cheapside) simultaneously create and employ standard comedic elements. ...
The Politics of Commonwealth
The Politics of Commonwealth offers a major reinterpretation of urban political culture in England during the sixteenth and seventeenth centuries. Examining what it meant to be a freeman and citizen in early modern England, it also shows the increasingly pivotal place of cities and boroughs within the national polity. It considers the practices that constituted urban citizenship as well as its impact on the economic, patriarchal and religious life of towns and the larger commonwealth. The author has recovered the language and concepts used at the time, whether by eminent citizens like Andrew Marvell or more humble tradesmen and craftsmen. Unprecedented in terms of the range of its sources and freshness of its approach, the book reveals a dimension of early modern culture that has major implications for how we understand the English state, economy and 'public sphere'; the political upheavals of the mid-seventeenth-century and popular political participation more generally.
Renaissance Drama 32
Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance.
The Revenger's Tragedy: The State of Play
The Revenger's Tragedy treads a line between macabre humour and moral commentary. Thomas Middleton's aptly named play begins with a man called Vindice holding the skull of his dead fianceé and vowing to avenge her death. The tragedy that unfolds features complicated plot twists in which the licentious Duke and his corrupt family, who are guilty of rape, poisoning, and much more, become the victims of torture and murder. This edition offers a comprehensive analysis of diverse critical attitudes towards the play, with special attention to its authorship and its ambiguous theological orientation. A thorough discussion of The Revenger's Tragedy's rich performance history shows how it has consistently reflected cultural preoccupations with violence and vigilante justice.
