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Herbert W. Paul authored the biography titled "The Life of Froude." This scholarly piece explores the biography and intellectual trajectory of James Anthony Froude, a notable historian, writer, and contentious personality in 19th-century England. The biography authored by Herbert W. Paul provides a thorough and meticulous portrayal of Froude's life, offering insights into his early life, educational background, and professional trajectory. The extensive examination delves into Froude's significant literary achievements, with a particular focus on his historical works centered around the Tudor Period. The biography frequently explores the contentious nature that frequently enveloped Froude. T...
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A weekly review of politics, literature, theology, and art.
The theory of signifying (significs), formulated and introduced by Victoria Welby for the first time in 1890s, is at the basis of much of twentieth-century linguistics, as well as in other language and communication sciences such as sociolinguistics, psycholinguistics, translation theory and semiotics. Indirectly, the origins of approaches, methods and categories elaborated by analytical philosophy, Wittgenstein himself, Anglo-American speech act theory, and pragmatics are largely found with Victoria Lady Welby. Indeed, it is no exaggeration to say, in addition, that Welby is the "founding mother" of semiotics. Some of Peirce's most innovative writings - for example, those on existential gra...
"Seventy Years Among Savages" by Henry S. Salt is a collection of essays about animal welfare. Some notable titles include The argument -- Where ignorance was bliss -- Literæ inhumaniores -- The discovery -- Cannibal's conscience -- Glimpses of civilization -- The poet-pioneer -- Voices crying in the wilderness -- A league of humaneness -- Twentieth-century tortures -- Hunnish sports and fashions – etc. Excerpt: "The seventy years spent by me among savages form the subject of this story, but not, be it noted, seventy years of consciousness that my life was so cast, for during the first part of my residence in the strange land where I was born, the dreadful reality of my surroundings was hardly suspected by me, except now and then, perhaps, in a passing glimmer of apprehension. Then, by slow degrees, incident after incident brought a gradual awakening, until at last there dawned on my mind the conviction which alone could explain and reconcile for me the many contradictions of our society—that we were not "civilized" but "savages"—that the "dark ages," far from being part of a remote past, were very literally present."
This volume presents new versions of key chapters from the recent Routledge/Open University textbook, Creative Writing: A Workbook with Readings for writers who are specialising in writing poetry. It offers the novice writer engaging and creative activities, making use of insightful, relevant readings from the work of well-known authors to illustrate the techniques presented. Using his experience and expertise as a teacher as well as a poet, Bill Herbert guides aspiring writers through such key writing skills as: drafting voice imagery rhyme form theme. The volume is further updated to include never-before published dialogues with prominent poets such as Vicki Feaver, Gillian Allnutt, Kathleen Jamie, Linda France, Douglas Dunn, Sean O'Brien and Jo Shapcott. Concise and practical, Writing Poetry offers an inspirational guide to the methods and techniques of this challenging and rewarding genre and is a must-read for aspiring poets.
Herman Melville is a towering figure in American literature--arguably the country's greatest nineteenth-century writer. Revising a number of entrenched misunderstandings about Melville in his later years, this is a remarkable and unprecedented account of the aged author giving himself over to a life of the mind. Focusing exclusively on a period usually associated with the waning of Melville's literary powers, William B. Dillingham shows that he was actually concentrating and intensifying his thoughts on art and creativity to a greater degree than ever before. Biographers have written little about Melville's deceptively "quiet" years after the publication of the long poem Clarel in 1876 and b...