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This book addresses Disney parks using performance theory. Few to no scholars have done this to date—an enormous oversight given the Disney parks’ similarities to immersive theatre, interpolation of guests, and dramaturgical construction of attractions. Most scholars and critics deny agency to the tourist in their engagement with the Disney theme park experience. The vast body of research and journalism on the Disney “Imagineers”—the designers and storytellers who construct the park experience—leads to the misconception that these exceptional artists puppeteer every aspect of the guest’s experience. Contrary to this assumption, Disney park guests find a range of possible reading strategies when they enter the space. Certainly Disney presents a primary reading, but generations of critical theory have established the variety of reading strategies that interpreters can employ to read against the text. This volume of twelve essays re-centers the park experience around its protagonist: the tourist.
""New Perspectives in American Jewish History: A Documentary Tribute to Jonathan D. Sarna," compiled by Sarna's former students, presents heretofore unpublished, neglected, and rarely seen historical records, documents, and images that illuminate the heterogeneity, breadth, diversity, and colorful dynamism of the American Jewish experience"--
This book puts two of the most significant Jewish Diaspora communities outside of the U.S. into conversation with one another. At times contributor-pairs directly compare unique aspects of two Jewish histories, politics, or cultures. At other times, they juxtapose. Some chapters focus on literature, poetry, theatre, or sport; others on immigration, antisemitism, or health. Taken together, the essays in Promised Lands North and South offer sparkling insight and new depth on the modern Jewish global experience.
Few historians have written about walking, despite its obvious centrality to the human condition. Focusing on the period 1800-1914, this book examines the practices and meanings of walking in the context of transformative modernity. It boldly suggests that once historians place walking at the heart of their analyses, exciting new perspectives on themes central to the ‘long nineteenth century’ emerge. Walking Histories, 1800-1914 adopts a global perspective, including contributions from specialists in the history and culture of Great Britain, North America, Australia, Russia, East-Central Europe, and South Asia. Critically engaging with recent research, the contributions within offer fresh insights for academic experts, while remaining accessible to student readers. This book will be essential reading for those interested in movement, travel, leisure, urban history, and environmental history.
Heinz Unger, born in Berlin, Germany, in 1895, was reared from a young age to follow in his father’s footsteps and become a lawyer. However, after attending a 1915 Munich performance of Gustav Mahler’s Das Lied von der Erde (The Song of the Earth) conducted by Bruno Walter, Unger decided to devote the rest of his life to music and particularly to the dissemination of Gustav Mahler’s music. This microhistory explores how the double strands of German and Jewish identity converged in Unger’s lifelong struggle to grasp who he was. Critical to this understanding was Mahler’s music – a music that Unger endowed with exceptional meaning and that was central to his Jewish identity. This book sets this exploration of Unger’s “performative ritual” within a biographical tale of a life lived travelling the world in search of a home, a search that took the conductor from his native Germany to the Soviet Union, England, Spain, and, finally, Canada.
Chava Rosenfarb (1923–2011) was one of the most prominent Yiddish novelists of the second half of the twentieth century. Born in Poland in 1923, she survived the Lodz ghetto, Auschwitz, and Bergen-Belsen, immigrating to Canada in 1950 and settling in Montreal. There she wrote novels, poetry, short stories, plays, and essays, including The Tree of Life: A Trilogy of Life in the Lodz Ghetto, a seminal novel on the Holocaust. Confessions of a Yiddish Writer and Other Essays comprises thirteen personal and literary essays by Rosenfarb, ranging from autobiographical accounts of her childhood and experiences before and during the Holocaust to literary criticism that discusses the work of other J...
Kingdom of Night tells the stories of Canadians - in their own voices - during the liberation of the Bergen-Belsen concentration camp.
This book traces the evolution and execution of Canadian immigration policy during the Great Depression, when the pressure of unemployment prevented large-scaleimmigration of any kind, through World War II and its aftermath. During this period, immigration regulations were restrictive, with Jews, Orientals and blacks at the bottom of the list. The authors describe how, as in all democracies, Canada's policies and her public servants were subject to the will of the people and to political considerations.
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