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- First comprehensive monograph on the artist's oeuvre - Showcases works from the years 2017-2021 - Art, artistic photography, digitalization and its impact on art and society In an age of fast-changing technologies, offering numerous ways of generating images, Elias Wessel challenges the conventional definition of a painting: he creates his "paintings" without resorting to traditional painting techniques and eschews classical genres. The artist's abstract paintings - which in many ways show connections to painterly practices - are in fact made up of photographs and digital material. Wessel, for example, takes photos of smartphone displays to produce monumental abstract compositions from the...
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
A remarkable story of a forgotten seventeen–year–old Jew who was blamed by the Nazis for the anti–Semitic violence and terror known as the Kristallnacht, the pogrom still seen as an initiating event of the Holocaust After learning about Nazi persecution of his family, Herschel Grynszpan (pronounced Greenspan) bought a small handgun and on November 7, 1938, went to the German embassy and shot the first German diplomat he saw. When the man died two days later, Hitler and Goebbels made the shooting their pretext for the state–sponsored wave of antiSemitic terror known as Kristallnacht, still seen by many as an initiating event of the Holocaust. Overnight, Grynszpan, a bright but naive teenager, was front–page news and a pawn in a global power struggle.
While much has been published abroad about the German filmmaker and author Hans J rgen Syberberg, this is the first English monograph about him. Author Solveig Olsen presents a biographical overview of the controversial artist and his body of work, and offers an in-depth analysis of Syberberg's film of Richard Wagner's Parsifal and his later works. Syberberg gained international fame as a filmmaker with the films of his "German Cycle," which included Our Hitler, a study of the Hitler potential in human nature. Parsifal of 1982 concluded the German Cycle. Preserving Wagner's libretto and score, the film uses the visual component to imbue the work with a surprising interpretation. In addition to the medieval story about the Grail seeker, the director draws on several other frames of reference, such as the theories of Freud and Jung, alchemy, and Syberberg's main aesthetic views and philosophy that have gone unrecognized until now. Olsen explores the role of Parsifal as Wagner's artistic and philosophical testament, and the implications of Syberberg's reinterpretation.
In this volume, using the best research techniques of the historian--that of going to the source documents--Chester W. and Ethel H. Geue set out to better understand the German movement to Texas.
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