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The Dangers of Interpretation
First published in 1996. This comparative study investigates thematic and technical similarities in the works of the two authors who shared a cultural heritage and achieved comparable status in their separate literary traditions. Drawing upon theories by Bloom, Bakhtin, and Lacan, the book examines ways in which Henry James and Thomas Mann treat the creative artist and analyze the creative and interpretive processes in their fiction. The texts covered range from early works to their great modern novels: The GoldenBowland Doctor Faustus To a great extent, the similarities between the works stem from the authors' preoccupation with artistic responsibility. Adopting Bloom's claim that the creative activity is an interpretive one, and that the reader, as well as the writer, interprets a text into being the book also investigates the reader's responsibility in confronting the dilemmas challenging James' and Mann's artist figures. Such challenges are "the dangers of interpretation" discussed in this book. Index. Bibliography.
Mothering Modernity
This study examines the transformative relationship between Victorian mothers and their modern daughters in the works of six early British modernists (E. M. Forster, Dorothy Richardson, D.H. Lawrence, May Sinclair, Radclyffe Hall, and Virginia Woolf). The emphasis upon a female hero is a significant and largely unremarked similarity in some of the most significant works of these authors. In these novels, the female hero, in order to attain her full potential as an agent of social and artistic changes, must undergo a maturation process that leads from the father's world of language and public action to a new appreciation of the mother's unrecognized, alternative virtues. Exploring the emergence of the young, modern woman as the hero in the works of these formative authors, Hill traces the gendered development of notions of modernity and the negotiation of new forms of mother-daughter relationship at the birth of modernity and modernist art, providing a more richly nuanced understand of the issue of gender in modernism.
A Beautiful Mind
A Beautiful Mind is Sylvia Nasar's award-winning biography about the mystery of the human mind, the triumph over incredible adversity, and the healing power of love. At the age of thirty-one, John Nash, mathematical genius, suffered a devastating breakdown and was diagnosed with schizophrenia. Yet after decades of leading a ghost-like existence, he was to re-emerge to win a Nobel Prize and world acclaim. A Beautiful Mind has inspired the Oscar-winning film directed by Ron Howard and featuring Russell Crowe in the lead role of John Nash.
Mapping the Self
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Sharing the Past
Sharing the Past is an unprecedentedly detailed account of the intertwining discourses of Canadian history and creative literature. When social history emerged as its own field of study in the 1960s, it promised new stories that would bring readers away from the elite writing of academics and closer to the everyday experiences of people. Yet, the academy's continued emphasis on professional distance and objectivity made it difficult for historians to connect with the experiences of those about whom they wrote, and those same emphases made it all but impossible for non-academic experts to be institutionally recognized as historians. Drawing on interviews and new archival materials to construct a history of Canadian poetry written since 1960, Sharing the Past argues that the project of social history has achieved its fullest expression in lyric poetry, a genre in which personal experiences anchor history. Developing this genre since 1960, Canadian poets have provided an inclusive model for a truly social history that indiscriminately shares the right to speak authoritatively of the past.
Challenge and Continuity
Challenge and Continuity is the first full-length attempt to map an important feature of nineteenth- and twentieth-century literature: the thematic novel. It analyses it first in D.H. Lawrence, revealing how in The Rainbow and Women in Love the psychology of the characters is brought into a wider social and ideological context that generates their controlling themes. Having defined an alternative tradition, exemplified by George Eliot and Tolstoy, focused primarily on individual development, it examines how that kind of interest was aligned in the nineteenth century with the thematic, in a loose fashion by Charlotte Brontë, Turgenev, Hardy and Wells, and more precisely by Stendhal, Flaubert...
Seven Modes of Uncertainty
Literature is uncertain. Literature is good for us. These two ideas are often taken for granted. But what is the relationship between literature’s capacity to perplex and its ethical value? Seven Modes of Uncertainty contends that literary uncertainty is crucial to ethics because it pushes us beyond the limits of our experience.
Woolf Studies Annual
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CEA Critic
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Literary Impressionism in Jean Rhys, Ford Madox Ford, Joseph Conrad, and Charlotte Brontë
This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.
