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Written by Bill Hick's lifelong friend, producer, and co-creator, Kevin Booth offers the inside story into the man who was only along for the ride for a tragically short time, yet left an indelible mark on comedy enthusiasts and freethinkers everywhere.
He was a radical stand up who dared to question the values of small town America and the evils of American foreign policy. Ruthlessly honest, a voice of reason in what he saw as an insane world, Hicks refused to compromise in spite of the censorship he faced for most of his career. His entire act was once banned from The Late Show with David Letterman because he made fun of pro-lifers and the Pope. In American Scream Cynthia True gets under the skin of Hicks, the heavy-drinking, chain-smoking, drug-taking philosopher who was also gentle and kind, a good friend and a comic genius who packed enough adventure into his three decades to last three lifetimes. Hicks died of pancreatic cancer in 1994 but his comedy is more relevant today than ever. This vivid, funny, insightful book shows why. 'Conscientious, perceptive and affectionate . . . [True] understands her subject perfectly' Independent 'Intelligent and tightly researched' Guardian
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Answering the question, what would Bill Hicks say, dozens of commentators imagine the response of the upstart comic to a wide variety of current events, including contributions from Jeff Danziger, Neal Pollack, Robert Newman, and A. L. Kennedy, among others. Original.
Love All the People, a collection of controversial comedian Bill Hicks' stand-up routines, notebooks, journals, and letters, traces his evolution from brilliant conventional stand-up to something far more interesting and dangerous: a comic speaking without fear. The result is a radical philosopher masquerading as a comedian, plumbing the American psyche with challenging (and side-splitting) conclusions. Hicks, who died of cancer in 1993, didn't go the easy way with his humor. He attacked the lies that justified the carnage of the Gulf War, the preposterous power of the mainstream media to confuse and corrupt, and the demeaning cynicism of the marketing culture. In Love All the People, that renegade comic artistry that made Bill Hicks an iconoclastic social commentator is recorded, celebrated, and revealed as true genius in this expanded edition that includes additional routines and other writings.
Without a guide or the knowledge of how to encourage talent, aspiring leaders and seasoned executives alike can flounder. In The Leadership Manifesto, Hicks consolidates the priceless lessons he has learned into eight essential disciplines that define a great leader. This book has the indispensable tools you need to rocket young talent to the top.
In 1989 the Geto Boys released a blistering track, “Size Ain’t Shit,” that paid tribute to the group’s member Bushwick Bill. Born with dwarfism, Bill was one of the few visibly disabled musicians to achieve widespread fame and one of the even fewer to address disability in a direct, sustained manner. Initially hired as a dancer, Bill became central to the Geto Boys as the Houston crew became one of hip-hop’s most important groups. Why Bushwick Bill Matters chronicles this crucial artist and explores what he reveals about the relationships among race, sex, and disability in pop music. Charles L. Hughes examines Bill's recordings and videos (both with the Geto Boys and solo), from th...
This title presents a history of Glasgow's Grand Central Hotel dating from 1883 that chronicles a glamorous, exciting past of celebrity, stars, nostalgia, luxury, glitz, weddings, kitchens and chefs, fancy dresses and ball rooms to stories of its 20 million refurbishment by the Principal Hayley Hotel Group."
A Nobel Prize–winning economist tells the remarkable story of how the world has grown healthier, wealthier, but also more unequal over the past two and half centuries The world is a better place than it used to be. People are healthier, wealthier, and live longer. Yet the escapes from destitution by so many has left gaping inequalities between people and nations. In The Great Escape, Nobel Prize–winning economist Angus Deaton—one of the foremost experts on economic development and on poverty—tells the remarkable story of how, beginning 250 years ago, some parts of the world experienced sustained progress, opening up gaps and setting the stage for today's disproportionately unequal wo...
The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others.