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Frank Lloyd Wright's Towers
Between 1924 and his death in 1959, Frank Lloyd Wright made designs for some twenty high-rise buildings of which only two were built. The towers form only a small part of his oeuvre; this book proposes a unique look at Wright as urbanist, an aspect of the master that has not been previously explored. Ballon's sustained study shows how his towers crystallize significant ideas about his architecture and American urbanism in the age of automobiles and suburbanization.
The Paris of Henri IV
Fanciful verse and detailed illustrations present information about dinosaurs.
The Greatest Grid
"Published to coincide with an exhibition at the Museum of the City of New York celebrating the bicentennial of the 1811 Commissioners' Plan of Manhattan, this volume does more than memorialize such a visionary effort, it serves as an enduring reference full of rare images and information."--P. [4] of cover.
Robert Moses and the Modern City
A fresh look at the greatest builder in the history of New York City and one of its most controversial figures. “We are rebuilding New York, not dispersing and abandoning it”: Robert Moses saw himself on a rescue mission to save the city from obsolescence, decentralization, and decline. His vast building program aimed to modernize urban infrastructure, expand the public realm with extensive recreational facilities, remove blight, and make the city more livable for the middle class. This book offers a fresh look at the physical transformation of New York during Moses’s nearly forty-year reign over city building from 1934 to 1968.It is hard to imagine that anyone will ever have the same ...
The Roots of Urban Renaissance
An acclaimed history of Harlem’s journey from urban crisis to urban renaissance With its gleaming shopping centers and refurbished row houses, today’s Harlem bears little resemblance to the neighborhood of the midcentury urban crisis. Brian Goldstein traces Harlem’s Second Renaissance to a surprising source: the radical social movements of the 1960s that resisted city officials and fought to give Harlemites control of their own destiny. Young Harlem activists, inspired by the civil rights movement, envisioned a Harlem built by and for its low-income, predominantly African American population. In the succeeding decades, however, the community-based organizations they founded came to pursue a very different goal: a neighborhood with national retailers and increasingly affluent residents. The Roots of Urban Renaissance demonstrates that gentrification was not imposed on an unwitting community by unscrupulous developers or opportunistic outsiders. Rather, it grew from the neighborhood’s grassroots, producing a legacy that benefited some longtime residents and threatened others.
Urban Underworlds
Urban Underworlds is an exploration of city spaces, pathologized identities, lurid fears, and American literature. Surveying one hundred years of history, and fusing sociology, urban planning, and criminology with literary and cultural studies, it chronicles how and why marginalized populations-immigrant Americans in the Lower East Side, gays and lesbians in Greenwich Village and downtown Los Angeles, the black underclass in Harlem and Chicago, and the new urban poor dispersed across American cities-have been selectively targeted as "urban underworlds" and their neighborhoods.
Seeing Symphonically
Can the cinema imagine a different way of developing, using, and living in the city? Is it possible to do so using images of the extant city? Seeing Symphonically shows how a group of independent experimental, documentary, and feature films made in and about late modern New York City did just this. Between 1939 and 1964, as the city was being utterly remade by a combination of urban renewal projects, suburbanization, and high-rise public housing, the New York avant-garde reinvented the city symphony, a modernist form that depicted a day in the life of an urban environment through complex montage, optical effects, and street portraiture. Erica Stein documents how these New York City symphonies subverted and critiqued urban redevelopment through their aesthetics, particularly their rhythms, and, through those same rhythms, envisioned a world in which urban inhabitants have the absolute right to remake the city according to their needs, outside the demands of capital.
The Arsenal of Exclusion & Inclusion
With contributions from over fifty architects, planners, geographers, historians, and journalists, The Arsenal offers a wide-ranging view of the forces that shape our cities. Who gets to be where? The Arsenal of Exclusion & Inclusion examines some of the policies, practices, and physical artifacts that have been used by planners, policymakers, developers, real estate brokers, community activists, and other urban actors in the United States to draw, erase, or redraw the lines that divide. The Arsenal inventories these weapons of exclusion and inclusion, describes how they have been used, and speculates about how they might be deployed (or retired) for the sake of more open cities in which mor...
The Guggenheim
Text by Hilary Ballon, Luis Carranza, Pat Kirkham, Neil Levine, Scott Perkins, Nancy Spector, Angela Starita.
New Yorks Pennsylvania Stations
This book recounts the heroic story of a public landmark: the masterpiece by McKim, Mead & White that opened in 1910, its tragic demolition in the 1960s, and the dazzling new station by Skidmore, Owings & Merrill, due to open in 2005.".
