You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
How curating has changed art and how art has changed curating: an examination of the emergence contemporary curatorship. Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O'Neil...
A leading figure of the postwar avant-garde, Danish artist Asger Jorn has long been recognized for his founding contributions to the Cobra and Situationist International movements - yet art historical scholarship on Jorn has been sparse, particularly in English. This study corrects that imbalance, offering a synthetic account of the essential phases of this prolific artists career. It addresses his works in various media alongside his extensive writings and his collaborations with various artists' groups from the 1940s through the mid-1960s. Situating Jorn's work in an international, post-Second World War context, Karen Kurczynski reframes our understanding of the 1950s, away from the Abstra...
This book provides a self contained, thorough introduction to the analytic and probabilistic methods of number theory. The prerequisites being reduced to classical contents of undergraduate courses, it offers to students and young researchers a systematic and consistent account on the subject. It is also a convenient tool for professional mathematicians, who may use it for basic references concerning many fundamental topics. Deliberately placing the methods before the results, the book will be of use beyond the particular material addressed directly. Each chapter is complemented with bibliographic notes, useful for descriptions of alternative viewpoints, and detailed exercises, often leading...
Includes two issues for 1926 with titles: Report of the librarian to the Senate; and Interim report to the Senate.
The contributions contained in this volume address a variety of topics related to the history of education and learning in the Netherlands during the crucial period of transition between the Middle Ages and the Early Modern Period. With contributions by Hildo van Engen, Antheun Janse, Mario Damen, Madelon van Luijk, Arnoud-Jan A. Bijsterveld, Jaap van Moolenbroek, Ad Tervoort, Koen Goudriaan, Bart Ramakers, Arjan van Dixhoorn, Marijke Spies, Karel Davids, Sabrina Corbellini, Gerrit Verhoeven, Peter van Dael, Samme Zijlstra, Ilja M. Veldman.
This study examines the life and world of Conrad Bröske (1660-1713), Court Preacher in Offenbach/Mayn. His claim to fame lies in a ten year period between 1694 and 1704 in which this Marburg-trained pastor became a prolific author, polemicist and promoter of chiliastic writings, thanks to a meeting with Thomas Beverley in 1693 and the baptism of a Muslim convert in 1694. Bröske lived a complex existence “between Sardis and Philadelphia,” as a Reformed court preacher and Philadelphian chiliast. His two-sided experience was actually the norm among the Pietists, including so-called radicals. Life between paradigms was the German way of being radical in early modern times due to a lack of religious toleration compared to England and the Netherlands. Bröske’s story belongs to the rise of “Early Evangelicalism” that W.R. Ward has recently discussed.
Nieuwe en bestaande teksten van kunstenaars en auteurs die de mogelijkheden analyseren om een kritisch-artistieke respons te geven op de hedendaagse wereld in een toestand van mondiale oorlog.
This book examines the art of Cobra, a network of poets and artists from Copenhagen, Brussels, and Amsterdam (1948–1951). Although the name stood for the organizers’ home cities, the Cobra artists hailed from countries in Europe, Africa, and the United States. This book investigates how a group of struggling young artists attempted to reinvent the international avant-garde after the devastation of the Second World War, to create artistic experiments capable of facing the challenges of postwar society. It explores how Cobra’s experimental, often collective art works and publications relate to broader debates in Europe about the use of images to commemorate violent events, the possibility of free expression in an art world constrained by Cold War politics, the breakdown of primitivism in an era of colonial independence movements, and the importance of spontaneity in a society increasingly dominated by the mass media. This book will be of interest to scholars in art history, 20th-century modern art, avant-garde arts, and European history.
None
Introduction by Daniel Birnbaum. Edited by Anton Vidokle. Text by Hans-Ulrich Obrist.