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From the Wolfson Prize-winning author of God's Architect: Pugin and the Building of Romantic Britain Between the fall of the Bastille in 1789 and the opening of the Great Exhibition in 1851, history changed. The grand narratives of the Enlightenment, concerned with kings and statesmen, gave way to a new interest in the lives of ordinary people. Oral history, costume history, the history of food and furniture, of Gothic architecture, theatre and much else were explored as never before. Antiquarianism, the study of the material remains of the past, was not new, but now hundreds of men - and some women - became antiquaries and set about rediscovering their national history, in Britain, France a...
Stonehenge is woven into the earliest Arthurian legends and has been analysed by everyone from archaeologists, to town planners, to the Druids who have made it their spiritual home. By refusing to adopt one theoretical position, Rosemary Hill provides the most wide-ranging and expansive history of the megalithic structure to date, from its creation in 3000 BC to the threat of the thunderous main roads that flank it today.
Pugin was one of Britain�s greatest architects and his short career one of the most dramatic in architectural history. Born in 1812, the son of the soi-disant Comte de Pugin, at 15 Pugin was working for King George IV at Windsor Castle. By the time he was 21 he had been shipwrecked, bankrupted and widowed. Nineteen years later he died, insane and disillusioned, having changed the face and the mind of British architecture. Pugin�s bohemian early career as an antique dealer and scenery designer at Covent Garden came to a sudden end with a series of devastating bereavements, including the loss of his first wife in childbirth. In the aftermath he formed a vision of Gothic architecture that w...
This book is a timely examination of the tension between being a rock music fan and being a woman. From the media representation of women rock fans as groupies to the widely held belief that hard rock and metal is masculine music, being a music fan is an experience shaped by gender. Through a lively discussion of the idealised imaginary community created in the media and interviews with women fans in the UK, Rosemary Lucy Hill grapples with the controversial topics of groupies, sexism and male dominance in metal. She challenges the claim that the genre is inherently masculine, arguing that musical pleasure is much more sophisticated than simplistic enjoyments of aggression, violence and virtuosity. Listening to women’s experiences, she maintains, enables new thinking about hard rock and metal music, and about what it is like to be a women fan in a sexist environment.
Rosemary's cosy world is crumbling around her. Phyllis, one of the four witches they share their house with, has disappeared through the wall. Can she solve the mystery of Phyllis' disappearance and stop the No-Laws before Rosemary's family is fractured for good? This is the debut children's novel from Emmerdale actor Samantha Giles.
This is an insightful and enlightening look at the life and works of the internationally renowned English garden designer. Rosemary Verey was the last of the great English garden legends. Although she embraced gardening late in life, she quickly achieved international renown. She was the acknowledged apostle of the "English style," the "must have" adviser to the rich and famous - including Prince Charles and Elton John - and a wildly popular lecturer. She was a natural teacher who encouraged her fans to believe that they were fully capable of creating beautiful gardens while validating their quest for a native vernacular, She also re-introduced the English to their own gardening traditions. A demanding taskmaster and a relentless perfectionist, Rosemary Verey, in her life as in her work, was the very personification of the English garden style.
a) The Unicorn As with the night-scented stock, the full splendour of the unicorn manifests itself most potently at twilight. Then the horn sprouts, swells, blooms in all its glory. SEE THE HORN (bend the tab, slit in slot marked 'x') Despite being one of the most influential - and best-loved - of the post-war English writers, Angela Carter remains little-known as a poet. In Unicorn, the critic and historian Rosemary Hill collects together her published verse from 1963-1971, a period in which Carter began to explore the themes that dominated her later work: magic, the reworking of myths and their darker sides, and the overturning of literary and social conventions. With imagery at times startling in its violence and disconcerting in its presentation of sexuality, Unicorn provides compelling insight into the formation of a remarkable imagination. In the essay that accompanies the poems the critic and historian Rosemary Hill considers them in the context of Carter's other work and as an aspect of the 1960s, the decade which as Carter put it 'wasn't like they say in the movies'.
The historical novelist recalls her childhood and struggle with rheumatoid arthritis that made her unable to walk as a child and describes the family and friends who encouraged her to become a writer
A fresh, modern take on classic lace knitting! When it comes to stunning lace knitting, there are few names more synonymous with the craft than Romi Hill. Her designs have made by thousands of knitters and her latest creations in New Lace Knitting will have you racing for your needles and skeins of yarn to cast on beautiful, artful, sophisticated pieces. These 19 garment and accessory designs will reawaken your love of traditional lace knitting by using classic stitch patterns in fresh ways--whether you're creating shawls, cardigans, pullovers, or wraps. Through these pieces, you'll be treated to the incredible versatility of lace: how stitch patterns change in different weights of yarn, how you can use that stitch pattern sparingly or for your whole project, and how little knitterly details make a lace project truly elegant, whether it is for every day or special occasion. You may be familiar with knitting lace, but this is New Lace Knitting!
Loathing, anger, shame � and deep affection: Virginia Woolf�s relationship with her servants was central to her life. Like thousands of her fellow Britons she relied on live-in domestics for the most intimate of daily tasks. Her cook and parlour maid relieved her of the burden of housework and without them she might never have become a writer. But unlike many of her contemporaries Virginia Woolf was frequently tormented by her dependence on servants. Uniquely, she explored her violent, often vicious, feelings in her diaries, novels and essays. What, the reader might well wonder, was it like for the servants to live with a mistress who so hated giving her orders, and who could be generous...