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Japan's Modern Divide
In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture on the coast of the Sea of Japan. In 1940 he began photographing the New Year's rituals in a remote village, which was published as Yukiguni (S...
Hiroshi Hamaya
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Hiroshi Hamaya
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The Family of Man
In the pages of this book are reproduced all of the 503 images that Steichen described as "photographs, made in all parts of the world, of the gamut of life from birth to death with emphasis on daily relationship..."-- Back cover.
Eye
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Hiroshi Hamaya
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Hiroshi Hamaya
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Photographer Hiroshi Hamaya
Text in Japanese, with the exception of one essay titled 'Snow land'.
