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Economy Hall
"Economy Hall: The Hidden History of a Free Black Brotherhood tells the story of the Sociâetâe d'Economie et d'Assistance Mutuelle, a New Orleans mutual aid society founded by free men of color in 1836. The group was one of the most important multiethnic, intellectual communities in the US South: educators, world-traveling merchants, soldiers, tradesmen, and poets who rejected racism and colorism to fight for suffrage and education rights for all. The author drew on the meeting minutes of the Sociâetâe d'Economie as well as census and civil records, newspapers, and numerous archival sources to write a narrative stretching from the Haitian Revolution through the early jazz age"--
A Life in Jazz
As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,
Dancing in the Streets
"Explores the history, social ties, fashion, dance, and music of second lines, participatory parades put on by New Orleans's network of social aid and pleasure clubs. "Dancing in the Streets" brings together historical photographs with the work of ten contemporary second line photographers, profiles all clubs active today, and explores the effect of the COVID-19 pandemic on the tradition"--
Garden Legacy
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Bound to Please
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Monumental
"Depicted as a graphic history and informed by newly discovered primary sources and years of archival research, Monumental resurrects, in vivid detail, Louisiana and New Orleans after the Civil War, and an iconic American life that never should have been forgotten. The graphic history is supplemented with personal and historiographical essays as well as a map, timeline, and endnotes that explore the riveting scenes in even greater depth. Monumental is a story of determination, scandal, betrayal-and how one man's principled fight for equality and justice may have cost him everything"--
Guidebooks to Sin
"Between 1897 and 1917, a legal red-light district thrived at the edge of the French Quarter, helping establish the notorious reputation that adheres to New Orleans today. Though many scholars have written about Storyville, no thorough contemporary study of the blue books?directories of the neighborhood?s prostitutes, featuring advertisements for liquor, brothels, and venereal disease cures?has been available until now. Pamela D. Arceneaux?s examination of these rare guides invites readers into a version of Storyville created by its own entrepreneurs. A foreword by the historian Emily Epstein Landau places the blue books in the context of their time, concurrent with the rise of American consumer culture and modern advertising. Illustrated with hundreds of facsimile pages from the blue books in The Historic New Orleans Collection?s holdings, Guidebooks to Sin illuminates the intersection of race, commerce, and sex in this essential chapter of New Orleans history" --from the publisher.
Ernie K-Doe
"May 1961, and one tune was sitting pretty atop both the R&B and pop charts. "Mother-in-Law" became the first hit by a New Orleans artist to achieve this feat?to rule black and white airwaves alike. Ernie K-Doe was only twenty-five years old, and his reign was just beginning. Born in New Orleans?s Charity Hospital, K-Doe came of age in a still-segregated South. He built his musical chops singing gospel in church, graduating to late-night gigs in clubs on the city?s backstreets. He practiced self-projection, reinvention, shedding his surname, Kador, for the radio-friendly tag K-Doe. He coined his own dialect, heavy on hyperbole, and created his own pantheon, placing himself front and center: "There have only been five great singers of rhythm & blues?Ernie K-Doe, James Brown, and Ernie K-Doe!" Decades after releasing his one-and-only chart-topper, he crowned himself Emperor of the Universe. A decade after his death, lovers of New Orleans music remain his loyal subjects." -- from publisher's website.
