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THE APOCALYPSE DE-CLASSIFIED CASE FILE WAS GATHERED BY THE APOCALYPSE RESISTANCE COUNTERINTELLIGENCE RECOUNTING "THE COMING APOCALYPSE" RECOUNTING PERSONAL NARRATIVE ACCOUNTINGS RECOUNTING THE APOCALYPSE CODEX KNOWN ONLY BY THE APOCALYPSE RESISTANCE REWRITING THE APOCALYPSE CODEX WRITTEN OUT IN 66 APOCALYPSE SCROLLS DISPLAYED INSIDE THE APOCALYPSE MUSEUM WHERE THE 66 APOCALYPSE SCROLLS ARE RE-WRITTEN BY THE APOCALYPSE RESISTANCE RE-WRITING HISTORY STORIES ALREADY WRITTEN BEFORE THE APOCALYPSE CODEX IS WRITTEN INTO STONE.
The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Eve Babitz posed in 1963, at age twenty, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety. There were the album covers she designed: for Buffalo Springfield and the Byrds, to name but a few. There were the men she seduced: Jim Morrison, Ed Ruscha, Harrison Ford, to name but a very few. Then, at nearly thirty, her It girl days numbered, Babitz was discovered—as a writer—by Joan Didion. She would go on to produce seven books, usually billed...
In the first book of the series, Holly has moved to Los Angeles in hopes of pursuing a film career. When she's cast in a small role on a popular TV show things start to look up, but she soon learns the world of Hollywood is a difficult one to navigate and not everyone can be trusted.With the help of Evelyn Martin, a faded starlet, and Peter Glades, a man with a past he's desperate to keep hidden, Holly tries to learn the ropes and deal with the politics of fame that follows her budding relationship with Hollywood heartthrob Alan Ryder.But just as Holly starts to find her footing, a dark secret from the past threatens to destroy everything she has worked for and those she trusts may not be what they seem...
For almost three decades the big Hollywood studios have operated classics divisions or specialty labels, subsidiaries that originally focused on the foreign art house film market, while more recently (and controversially) moving on to the American 'indie' film market. This is the first book to offer an in depth examination of the phenomenon of the classics divisions by tracing its history since the establishment the first specialty label in 1980, United Artists Classics, to more contemporary outfits like Focus Features, Warner Independent and Picturehouse.This detailed account of all classics divisions examines their business practices, their position within the often labyrinthine structure ...
The book highlights how creative entrepreneurs saved the Hollywood studios in the 1970's by making the calculated blockbuster, consisting of key replicable markers of success, Hollywood's preeminent business model. Scholars of film studies, screenwriting, and popular culture will find this book of particular interest.
It is based on hitherto unstudied documents from these institutions. While European film production was at a standstill after World War I, Hollywood companies flooded the European market with hundreds of films at very low prices."--BOOK JACKET.
" Winner of the 2003 Ray and Pat Browne Book Award, given by the Popular Culture Association The contributors to Hollywood's White House examine the historical accuracy of these presidential depictions, illuminate their influence, and uncover how they reflect the concerns of their times and the social and political visions of the filmmakers. The volume, which includes a comprehensive filmography and a bibliography, is ideal for historians and film enthusiasts.
For years people said someone should write a book about Bö Roos, but nobody will believe it. Now his daughter Carolyn has written the book, and it is believeable as it captures Hollywood's Golden Age and Bö Roos's unique part in it as one of Hollywood's most powerful and successful business managers. It's an amazing piece of Hollywood history that hasn't been covered before. Ben Newman, Attorney (Bö Roos) virtually founded the profession of business manager and personal manager (to Hollywood's stars). Daily Variety Because of his flamboyant, high powered and hectic way of life, Bö (pronounced Boo) Roos could have been the model for the movie sterotype of the Hollywood business manager. T...
Pat Sheehan was one of Hollywood's most talked-about celebrities. Initially a San Franciscan vying for the title of Miss America, she quickly caught the attention of numerous columnists, producers, and admirers. She won pageants, modeled for magazines like Scene and Parade, and attracted such men as Bing Crosby, Howard Hughes, and Rod Taylor. Her appearance was compared to actresses Marilyn Monroe and Rita Hayworth. Studios such as Metro-Goldwyn-Mayer and 20th Century Fox casted her for their movies, and she was frequently seen on television with talents like Dean Martin, Mickey Rooney, and Art Linkletter. She was signed by the National Broadcasting Company in February 1956, being promoted by the network as "Television's First Starlet".Today, Pat Sheehan is remembered for being Playboy's Playmate of the Month for October 1958 with actress Mara Corday. Her centerfold was seen in Clint Eastwood's Space Cowboys (2000). People don't realize that she was one of Hollywood's most talked-about celebrities of the 1950's and 1960's, and that she remained closely associated with Hollywood afterwards. Those who knew her described her as personable, intelligent, and kind.