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The American Comic Book Industry and Hollywood
The American Comic Book Industry and Hollywood traces the evolving relationship between the American comic book industry and Hollywood from the launch of X-Men, Spider-Man, and Smallville in the early 2000s through the ascent of the Marvel Cinematic Universe, the Arrowverse, and the Walking Dead Universe in the 2010s. Perren and Steirer illustrate how the American comic book industry simultaneously has functioned throughout the first two decades of the twenty-first century as a relatively self-contained business characterized by its own organizational structures, business models, managerial discourses, production cultures, and professional identities even as it has remained dependent on Holl...
The Comic Book Film Adaptation
In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of t...
Fortune and Glory: a True Hollywood Comic Book Story
"Originally published in single magazine form in FORTUNE AND GLORY 1-3."
Comic Books Incorporated
Comic Books Incorporated tells the story of the US comic book business, reframing the history of the medium through an industrial and transmedial lens. Comic books wielded their influence from the margins and in-between spaces of the entertainment business for half a century before moving to the center of mainstream film and television production. This extraordinary history begins at the medium’s origin in the 1930s, when comics were a reviled, disorganized, and lowbrow mass medium, and surveys critical moments along the way—market crashes, corporate takeovers, upheavals in distribution, and financial transformations. Shawna Kidman concludes this revisionist history in the early 2000s, when Hollywood had fully incorporated comic book properties and strategies into its business models and transformed the medium into the heavily exploited, exceedingly corporate, and yet highly esteemed niche art form we know so well today.
The American Comic Book Industry and Hollywood
The last decade has seen a proliferation of hugely successful film franchises and television shows - such as Batman, Spiderman, X-Men, The Walking Dead and many more - based on comic books which have avid fan followings of their own. Comic books have now assumed an enormously important position within the American entertainment business, where they function as intellectual property (IP) development wings for major producers and studios, important brand management tools for studio marketing departments, and major divisions in their own right within powerful entertainment conglomerates such as Disney and Warner Bros. Even fifteen years ago, however, comic books' ascendancy within the entertain...
Temporary Superheroine
Chloe Cole wants to stop her crazy dreams that she's a costumed superheroine battling a supervillain, but when her comics fanboy ex throws her into a bizarre escapade involving the New York City comic book scene, suddenly she's having wild, superpowered adventures in an oddly retro mirror universe. To fight a real supervillain, she's forced to meet the father she never knew, dodge the suspicious courtship of a powerful publishing boss, and embrace her destiny as a superheroine. PG-rated nonstop comic book style adventure novel set in two universes, with plenty of super-powered battles and recognizable classic comic book scenarios—and some iffy romance thrown in. CHARACTERS IN THIS NOVEL Ch...
Comic Books Incorporated
Comic Books Incorporated tells the story of the US comic book business, reframing the history of the medium through an industrial and transmedial lens. Comic books wielded their influence from the margins and in-between spaces of the entertainment business for half a century before moving to the center of mainstream film and television production. This extraordinary history begins at the medium’s origin in the 1930s, when comics were a reviled, disorganized, and lowbrow mass medium, and surveys critical moments along the way—market crashes, corporate takeovers, upheavals in distribution, and financial transformations. Shawna Kidman concludes this revisionist history in the early 2000s, when Hollywood had fully incorporated comic book properties and strategies into its business models and transformed the medium into the heavily exploited, exceedingly corporate, and yet highly esteemed niche art form we know so well today.
Movie Comics
As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comi...
Battling Boy
A twelve-year-old demigod is sent to help the people of Arcopolis, a city infested with monsters.
