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The role of poetic allusion in classical Greek poetry, to Homer especially, has often largely been neglected or even almost totally ignored. This book, first published in 1990, clarifies the place of Homer in Greek education, as well as adding to the interpretation of many important tragedies. Focussing on the dramatic masterpieces of Aeschylus, Sophocles, and Euripides, and how these writers imitated and alluded to other poetry, the author reveals the immense dependence on Homer which can be seen throughout the corpus of Attic tragedy. It is argued that the practice of the art of allusion indicates certain conventions in fifth-century Athenian education, and perhaps also suggests something in the way of public, political, and historical self-awareness. Invaluable to anyone interested in the reception of Homer in the classical age, and to students of comparative literature and linguistic theory.
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More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.
Alex Cross's first case since joining the FBI has his new colleagues perplexed. Across the country, men and women are kidnapped in broad daylight and then disappear completely. These people are not being taken for ransom, Alex realizes. They are being bought and sold. And it seems The Wolf is the master criminal behind this terrible trade and who is bringing a new reign of terror to organized crime. Even as he admires the FBI's vast resources, Alex is impatient with the Bureau's clumsiness and caution when it is time to move. A lone wolf himself, he has to go out alone to track his new prey and try to rescue some of the victims while they are still alive. As the case boils over, Alex is in hot water at home, too. His ex-fiancée, Christine Johnson, comes back into his life - and not for the reasons Alex might have hoped.