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Barker: Plays Five
Includes the plays The Last Supper, Seven Lears, Hated Nightfall and Wounds to the Face Howard Barker is one of the most significant and controversial dramatists of his time. His plays challenge, unsettle and expose. Both The Last Supper and Seven Lears exemplify Barker's way with great religious and literary stories, the first placing the willful suicide of a Christ-like prophet, Lvov, in the context of modern chaos, illuminating his moral ambiguities with comic or painful parables, the second taking its inspiration from the significant absence in Shakespeare's play, that of Lear's wife, the queen whose murder is here discerned as the origin as the great family tragedy. The execution of the...
Howard Barker: Plays Nine
The latest collection of plays by Howard Barker, one of the most significant and controversial dramatists of our time. Internationally renowned, his plays challenge, unsettle and expose. The latest volume in Oberon's Howard Barker series comprises the plays Harrowing and Uplifting Interviews, In the Cloth Cathedral, In the Depths of Dead Love and More No Still.
Barker: Plays Seven
The latest volume in Oberon's Howard Barker series comprises the plays Und, The Twelfth Battle of Isonzo, 12 Encounters With a Prodigy, Christ's Dog and Learning Kneeling. Howard Barker is Barker is an internationally renowned dramatist. There has been a recent resurgence of presentations of his plays in Britain, with particularly acclaimed productions at the Arcola theatre and the Hackney Empire in recent years. He has a sizable following on the European mainland.
The Theatre of Howard Barker
In this second, fully revised edition of his acclaimed study of Barker's work, Charles Lamb sets out to make emotional sense of the characters and their interactions. This is a detailed exploration of the 'scene of seduction' - the challenge, the secret, the abject and the catastrophic, processes which dominate Barker's work. For Lamb, the power of Barker's plays is to be found in the exposure to the irrational and its promotion of a state of unknowing. This revised edition includes: * a new interview with Barker; * a revised introduction, * an updated bibliography * a full production chronology. For students of Barker and for actors and directors working with this unique material, Lamb's book is a vital and illuminating text.
Howard Barker: Plays Ten
The tenth collection of plays by Howard Barker, one of the most significant and controversial dramatists of our time. His plays challenge, unsettle and expose. Plays Ten comprises the plays Ahno, Distance, Critique of Pure Feeling, Irrespective, Immense Kiss, Exquisite. In Ahno, A Prince of Now, a youthful dictator is revealed as simultaneously revolutionary and reactionary, in politics and in love. His shocking efforts to create a new social order are mirrored in his unconventional passion for a seventy-five year old woman, who along with his devoted commissar, a group of fanatical priests, and a disturbingly perceptive Dalmatian, make up a menacing court of activists. In Exquisite, Barker'...
Howard Barker: Plays Nine
The latest collection of plays by Howard Barker, one of the most significant and controversial dramatists of our time. Internationally renowned, his plays challenge, unsettle and expose. The latest volume in Oberon's Howard Barker series comprises the plays Harrowing and Uplifting Interviews, In the Cloth Cathedral, In the Depths of Dead Love and More No Still.
Howard Barker's Theatre: Wrestling with Catastrophe
Howard Barker and The Wrestling School have been seen as marginal to the major concerns of British theatre, problematic in their staging and challenging in the ideas they explore. Yet Barker's writing career spans six decades, he is the only living writer to have been accorded an entire season with the Royal Shakespeare Company, and The Wrestling School produces theatre of such a striking quality that it earned continuous Arts Council funding for nearly 20 years. Wrestling with Catastrophe challenges existing ways of reading Barker's theatre practice and plays and provides new ways into his work. The book brings together the full range of Barker's aesthetic concerns - including text, direction, design, acting, narrative form, poetry, appropriation, painting, photography, electronic media, technology, puppetry, and theatre space - and in doing so, makes a radical re-evaluation possible.
Howard Barker: Plays Twelve
The theatre of Howard Barker subverts myth and invents history in its pursuit of the meaning of individual integrity. Repudiating politics and asserting the primacy of the emotions, Barker's tragedy is written in a language by turns poetic and brutally mundane. The effects are disconcerting and destabilizing, as he insists tragedy must be. The twelfth and final collection of plays from this celebrated, influential and widely-studied playwright includes: At Her Age and Hers, which uses Velázquez's painting Las Meninas to meditate on the making of a work of art, removing the figures from the frame, animating them, and assembling them again. Landscape with Cries, which invokes the savagery of ...
Howard Barker: Plays Two
Includes the plays The Castle, Gertrude - The Cry, Animals in Paradise and 13 Objects. Howard Barker is one of the most significant and controversial dramatists of his time. His plays challenge, unsettle and expose. The plays in this volume examine collisions of culture, gender and creed at moments of turmoil, developing the tragic form Barker defines as Theatre of Catastrophe. The Castle is set at the end of Crusades and describes the clashes that occur when returning soldiers bring an Arab architect home with them as a prisoner. Barker's abiding interest in interrogating the great classics for their 'silences' is shown in Gertrude - The Cry, his re-writing of the Hamlet story. Scarcely exa...
Arguments for a Theatre
Howard Barker, author of over thirty plays, has long been an implacable foe of the liberal British establishment, and champion of radical theatre world-wide. His best-known plays include The Castle, Scenes from an Execution and The Possibilities. All of his plays are emotionally highly charged, intellectually stimulating and far removed from the theatrical conventions of what he terms ‘the Establishment Theatre’. These fragments, essays, thoughts and poems on the nature of theatre likewise reject the constraints of ‘objective’ academic theatre criticism. They explore the collision (and collusion) of intellect and artistry in the creative act. This book is more than a collection of essays: it is a cultural manifesto for Barker’s own ‘Theatre of Catastrophe’.
