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"The essays range from Shakespeare and early modern literature to Wordsworth. They evince scrupulous care over the handling of evidence, an interdisciplinary impulse yoked always to a prizing of the literary (particularly the poetic), a willingness to embrace an ambitious argument where it can be supported, a humaneness of temper, particularly in polemic. Latent within them all is a wrestling with the central problem of text and context."--BOOK JACKET.
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This critical biography places Pope's life and poetry in the context of the political state of Britain following the Revolution of 1688. It gives close readings of Pope's major poems, including the less commonly discussed translations of Homer. Frequent resort is made to Pope's letters, including new items. A final chapter discusses Pope's literary reputation in the later eighteenth-century.
This is a major study of the relation between poetry and politics from the 1688 Revolution to the early years of the nineteenth century, focusing in particular on the works of Dryden, Pope, Johnson, and Wordsworth. Building on his argument in Poetry and the Realm of Politics: Shakespeare to Dryden (also available from OUP), Erskine-Hill argues that the major tradition of political allusion is not, as has often been argued, that of political allegory and overtly political poems, but rather a more shifting and less systematic practice, often involving equivocal or multiple reference.
A major academic controversy has raged in recent years over the analysis of the political and religious commitments of Samuel Johnson, the most commanding of the 'commanding heights' of eighteenth-century English letters. This book, one of a trilogy from Palgrave, brings that debate to a decisive conclusion, retrieving the 'historic Johnson.'
A major academic controversy has raged in recent years over the analysis of the political and religious commitments of Samuel Johnson, the most commanding of the 'commanding heights' of eighteenth-century English letters. This book, one of a trilogy from Palgrave, brings that debate to a decisive conclusion, retrieving the 'historic Johnson.'
This is a major study of the relation between poetry and politcs in sixteenth and seventeenth century English literature, focusing in particular on the works of Spenser, Shakespeare, Jonson, Milton, and Dryden. Howard Erskine-Hill argues that the major tradition of political allusion is not, as has often been argued, that of the political allegory of Dryden's Absalom and Architophel, and other overtly political poems, but rather a more shifting and less systematic practice, often involving equivocal or multiple reference. Drawing on the revisionist trend in recent historiography, and taking issue with recent New Historicist criticism, the book offers new and thought-provoking readings of fam...
Landscape descriptions examined in a wider context of eighteenth-century debates over liberty and authority.