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The Simple Life
Looking across three centuries of want and prosperity, war and peace, this work introduces a cast of practitioners and proponents of the simple life, among them Thomas Jefferson, Scott and Helen Nearing, Jimmy Carter and Jane Addams. It finds that nothing is simple about our mercurial devotion to the ideal of plain living and high thinking. Though we may hedge a bit in practice and are now and then driven by motives no deeper than nostalgia, this work stresses that the diverse efforts to avoid anxious social striving and compulsive materialism have been essential to the nation's spiritual health.
An Old Junker
A coming-of-age text at the far end, namely, the adventures, rants & raves of the founding (now retired) editor of ZYZZYVA, a journal of West Coast writers & artists, distilled from his daily blog.
Conceptual Art and the Politics of Publicity
An examination of the origins and legacy of the conceptual art movement.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Writing Manuals for the Masses
This open access collection of essays examines the literary advice industry since its emergence in Anglo-American literary culture in the mid-nineteenth century within the context of the professionalization of the literary field and the continued debate on creative writing as art and craft. Often dismissed as commercial and stereotypical by authors and specialists alike, literary advice has nonetheless remained a flourishing business, embodying the unquestioned values of a literary system, but also functioning as a sign of a literary system in transition. Exploring the rise of new online amateur writing cultures in the twenty-first century, this collection of essays considers how literary advice proliferates globally, leading to new forms and genres.
Best of Prairie Schooner
Now celebrating seventy-five years of continuous publication, Prairie Schooner has been called one of the best magazines in America by Nan Talese, "the roots" in Esquire's garden of contemporary literature, and one of the best places for "fabulous fiction" by the Washington Post. One of the oldest and most prestigious literary journals in the country, it ranks among Writer's Digest's "Nineteen Magazines That Matter." This anthology collects some of the best fiction and poetry from the writers who have appeared in the journal's pages.
On Record
Classic sociological analyses of 'deviance' and rebellion; studies of technology; subcultural and feminist readings, semiotic and musicological essays and close readings of stars, bands and the fans themselves by Adorno, Barthes and other well-known contributors
Experiencing Jazz
In Experiencing Jazz: A Listener’s Companion, writer, teacher, and renowned jazz drummer Michael Stephans offers a much-needed survey in the art of listening to and enjoying this dynamic, ever-changing art form. More than mere entertainment, jazz provides a pleasurable and sometimes dizzying listening experience with an extensive range in structure and form, from the syncopated swing of big bands to the musical experimentalism of small combos. As Stephans illustrates, listeners and jazz artists often experience the essence of the music together—an experience unique in the world of music. Experiencing Jazz demonstrates how the act of listening to jazz takes place on a deeply personal leve...
Fluxus Experience
Hannah Higgins explores the influential art movement Fluxus. Daring, disparate and contentious, Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus for viewers as affirming transactions between the self and the world.
