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Seldom has a small grassroots organization polarized American Jewry as did the American Association for Ethiopian Jews (AAEJ) and seldom has a grassroots organization been so successful. How were five governments persuaded that it was to their interest to allow the threatened Jews of Ethiopia to fulfill their dream of rejoining their brethren in Israel? From 1974 through 1991, active AAEJ members demonstrated that it was possible to rescue black Jews from Africa. They enlisted the support of college students, American Rabbis, editors of the Jewish press and other Zionists. Lenhoff's memoir provides many untold stories behind this historic drama: How Israeli Ethiopian Jews and Americans Jews ...
The book presents the leading researchers and their seminal discoveries in the field.
Coelenterate Biology: Reviews and New Perspectives highlights research areas in which coelenterates are exceptionally useful and interesting experimental animals. It outlines the state of knowledge in coelenterate research and draws attention to some of the challenging problems that are amenable for study. Coelenterates offer valuable material for many levels of inquiry—from the population and organismic to the cellular, subcellular, and molecular levels. They are especially attractive animals for studies in developmental biology and behavior. The book begins by discussing cnidarians histology, focusing on the light and electron microscopy of cnidarian tissues. There are separate chapters on the skeletal system of cnidarians; the morphology, functions, and chemistry of nematocytes; and a few aspects of the enormous subject of cnidarian development. The subsequent chapters deal with cnidarian neurobiology, behavior, locomotion, flotation, and dispersal; experimental studies on algae-cnidarian symbioses; and coelenterate bioluminescence. The book concludes with a discussion of the systems of coordination and nervous system of ctenophores.
This book is born out of two contradictions: first, it explores the making of meaning in a musical form that was made to lose its meaning at the turn of the nineteenth century; secondly, it is a history of a music that claims to have no history - absolute music. The book therefore writes against that notion of absolute music which tends to be the paradigm for most musicological and analytical studies. It is concerned not so much with what music is, but with why and how meaning is constructed in instrumental music and what structures of knowledge need to be in place for such meaning to exist. From the thought of Vincenzo Galilei to that of Theodore Adorno, Daniel Chua suggests that instrumental music has always been a critical and negative force in modernity, even with its nineteenth-century apotheosis as 'absolute music'.
Chemical Zoology, Volume II: Porifera, Coelenterata, and Platyhelminthes presents chemical information on zoological significance. This book is organized into three sections; each section deals with the biological and biochemical aspects of the specific phylum. The first section examines three large classes of Porifera, namely, Calcarea, Demospongiae, and Hexactinellida. It describes the skeletal structure, pigments, nutrition, digestion, composition, intermediary metabolism, and hibernation of Porifera. The second section covers the classification, pigments, feeding response, digestion, nutrition, ecology, pharmacology, and intermediary metabolism of Coelenterata. The last section is devoted to the classification, nutrition, digestion, respiratory and intermediary metabolism, growth, development, and culture methods, as well as the chemical aspects of ecology of Platyhelminthes. This book is an invaluable resource for zoologists and biochemists.
Wye Jamison AllanbrookÕs The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich trove of writings by eighteenth-century philosophers and music theorists to show that vocal music was considered aesthetically superior to instrumental music and that listeners easily perceived the theatrical tropes that underpinned the style. Tracing Enlightenment notions of character and expression back to Greek and Latin writings about comedy and drama, she strips away preoccupations with symphonic form and teleology to reveal anew the kaleidoscopic variety and gestural vitality of the musical surface. In prose as graceful and nimble as the music she discusses, Allanbrook elucidates the idiom of this period for contemporary readers. With notes, musical examples, and a foreword by editors Mary Ann Smart and Richard Taruskin.
Presents a series of articles on different types of intellectual abilities and talents, looking at such topics as savants, prodigies, links between certain mental disorders and creativity, and whether genius might be something that can be attained through training.
Two striking discoveries made 1740 a turning point in the history of 18th-century biology. Charles Bonnet established that aphids could reproduce without male fertilization. Shortly afterwards Abraham Trembley proved that a tiny aquatic animal, the fresh water polyp, or hydra, could regenerate from cuttings like some plants. The discovery of the polyp was important because of the disturbing metaphysical issues that it raised. In their letters written during the decade of the 1740s to Reaumur, the great French Academician, both Trembley & Bonnet referred to the polyp as an enigma. Not only did it seem to present a new mode of animal reproduction, previously unsuspected, but it called into question the prevailing mechanistic view of animal biology & brought into focus the problem of animal soul. Drawing on some of the most illuminating letters from the private archives of the Trembley family, this study focuses on the discovery of the polyp, using the correspondence of Bonnet & Trembley to understand their common Genevan background & their possible differences in approach from that of Reaumur.
Martin Folkes (1690-1754): Newtonian, Antiquary, Connoisseur is a cultural and intellectual biography of the only President of both the Royal Society and the Society of Antiquaries. Sir Isaac Newton's protégé, astronomer, mathematician, freemason, art connoisseur, Voltaire's friend and Hogarth's patron, his was an intellectually vibrant world. Folkes was possibly the best-connected natural philosopher and antiquary of his age, an epitome of Enlightenment sociability, and yet he was a surprisingly neglected figure, the long shadow of Newton eclipsing his brilliant disciple. A complex figure, Folkes edited Newton's posthumous works in biblical chronology, yet was a religious skeptic and one ...