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The 2016 International Conference on Advanced Materials, Technology and Application (AMTA2016) was held in Changsha, China on March 18-20, 2016. The main objective of the joint conference is to provide a platform for researchers, academics and industrial professionals to present their research findings in the fields of advanced materials and technology.The AMTA2016 received more than 150 submissions, but only 59 articles were selected to be included in this proceedings, which are organized into 7 chapters; covering Chemical Materials, composite and Nano Materials, Polymer and Concrete Materials, Structural Materials, Metal and Alloy Materials, Electrical Materials, and Biomaterials.
A comprehensive and highly readable account of the world's oldest living civilization, exploring Chinese culture and society from the earliest times to the glories of the imperial age.
The Ben cao gang mu, compiled in the second half of the sixteenth century by a team led by the physician Li Shizhen (1518–1593) on the basis of previously published books and contemporary knowledge, is the largest encyclopedia of natural history in a long tradition of Chinese materia medica works. Its description of almost 1,900 pharmaceutically used natural and man-made substances marks the apex of the development of premodern Chinese pharmaceutical knowledge. The Ben cao gang mu dictionary offers access to this impressive work of 1,600,000 characters. This second book in a three-volume series verifies and localizes all 2,158 geographical and associated administrative names referred to in the Ben cao gang mu in connection with the origin and use of pharmaceutical substances.
The crucial period of Chinese history, 220-960, falls naturally into contrasting phases. The first phase, also known as that of "early medieval China," is an age of political decentralization. Following the breakup of the Han empire, China was plunged into civil war and fragmentation and stayed divided for nearly four centuries. The second phase started in 589, during the Sui dynasty, when China was once again brought under a single government. Under the Sui, the bureaucracy was revitalized, the military strengthened, and the taxation system reformed. The fall of the Sui in 618 gave way to the even stronger Tang dynasty, which represents an apogee of traditional Chinese civilization. Inherit...
"Kingdoms in Peril is an epic historical novel covering the five hundred and fifty years of the Eastern Zhou dynasty, from the civil wars and invasions that marked the birth of a new regime in 771 BCE to the unification of China in 221 BCE. Kingdoms in Peril was written in the 1640s, at the very end of the Ming dynasty, by the great novelist Feng Menglong (1574-1646). In the course of the one hundred and eight chapters of the complete novel, he documents the collapse of the Zhou confederacy during the Spring and Autumn period (771-475 BCE) and the slow rebuilding of civil society during the Warring States era (475-221 BCE) which culminated in the unification of China under the First Emperor of the Qin dynasty (r. 246-221 BCE as king; r. 221-210 BCE as emperor). Thus overall this novel describes a grand arc, from stability to chaos and back again. As a novel about politics, much of the narrative in Kingdoms in Peril concentrates on the exercise of power"--
The Ming period of Chinese history is often depicted as one of cultural aridity, political despotism, and social stasis. Recent studies have shown that the arts continued to flourish, government remained effective, people enjoyed considerable mobility, and China served as a center of the global economy. This study goes further to argue that China’s perennial quest for cultural centrality resulted in periodic political changes that permitted the Chinese people to retain control over social and economic developments. The study focuses on two and a half million people in three prefectures of northeast Henan, the central province in the heart of the "central plain”--a common synecdoche for C...
The Northern Song poet He Zhu is best known for his lyrics (ci) but also produced shi poetry of subtlety, wit, and feeling. This study examines the latter as a response to the options available to a late-eleventh century writer in the pentametrical and heptametrical forms of Ancient Verse, Regulated Verse, and Quatrains. Numerous comparisons are made with Su Shi, Huang Tingjian, Du Fu, and other important writers. In a major advance over previous methodologies, the author uses a clear system of metrical notation to show how sound patterns reveal the poet's artistic and emotional intentions. This innovation and the author's other meticulous explorations of He Zhu's artistry allow us to experience Chinese poetry as never before. From the reader's report: "not just an excellent study of an individual poet but also a model of reading the language of classical Chinese poetry. [..] opens up a world of interpretive territory heretofore seldom explored."
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