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Charles Joseph Biederman (1906-2004) was a highly influential and iconoclastic American artist and theoretician who influenced the modernist movement both abroad and in the United States. He was particularly drawn to the relationship between nature and art, and wrote extensively on the subject Biederman, Midwesterner by birth, held nature as the ultimate root of art, but insisted upon a wholly abstract translation of the natural into visual elements of color, plane, and form. He worked extensively in the medium of sculptural reliefs created in painted metal to execute his vision of creating pure visual forms; these reliefs became his most sought-after work. Biederman's work is represented ...
This comprehensive volume features exciting and cultrually diverse serigraphs, offset lithographs, and mixed media prints from the Bradywine Workshop
This magnificent volume documents the printmaking career of leading pop artist, influential creator of public monuments, and bravura draftsman Claes Oldenburg. Includes an important essay on Oldenburg's career and a catalogue of his entire printed oeuvre, from limited editions to ephemera. A must for scholars and collectors. 55 b&w illustrations, 52 duotones, 381 colorplates (including 2 gatefolds.
International Association of Culinary Professionals (IACP) 2010 Award Finalists in the Culinary History category. Chocolate. We all love it, but how much do we really know about it? In addition to pleasing palates since ancient times, chocolate has played an integral role in culture, society, religion, medicine, and economic development across the Americas, Africa, Asia, and Europe. In 1998, the Chocolate History Group was formed by the University of California, Davis, and Mars, Incorporated to document the fascinating story and history of chocolate. This book features fifty-seven essays representing research activities and contributions from more than 100 members of the group. These contrib...
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"A concise history of glassmaking around the world, from Mesopotamia to the present day"--
Of the hundreds of foreign students who attended the Munich Art Academy between 1910 and 1915, Walter Ufer (1876–1936) and E. Martin Hennings (1886–1956) returned to the United States to foster the development of a national art. They ultimately established their reputations in the American Southwest. The two German American artists shared much in common, and both would gain membership in the celebrated Taos Society of Artists. Featuring nearly 150 color plates and historical photographs, A Place in the Sun is a long-overdue tribute to the lives, achievements, and artistic legacy of these two important artists. In tracing the lifelong friendship and intersecting careers of Ufer and Hennin...
New York-based painter William Steiger's focus is on fundamental representation of the American landscape. His subjects are industrial and recognisable - grain towers, cable cars, trains, and amusement park attractions. His graphic, distinctly schematised work is grounded in the traditions of classic American landscape painting and the machine-age Precisionism of figures like Charles Sheeler and Charles Demuth. As Richard Vine, senior editor at Art in America, puts it in his introductory essay, Steiger has "moved inexorably toward an ever more elegiac representation. [Images] such as an outmoded water tower set against blank sky and an extinct industrial building seek to commemorate...the pa...
Published in conjunction with the exhibition, "Don Nice: Hudson river paintings, 1966-2004," held at the Albany Institute of History and Art, June 19-Aug. 22, 2004.