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A2 Music Harmony Workbook
Suitable for exam boards: Edexcel, AQA, OCR - First exams 2010 onwards The A2 Music Harmony Workbook builds on the AS Harmony Workbook and is designed to prepare students for the harmony and counterpoint tasks in their A2 Music exams. It explores more advanced techniques and is written to provide a firm foundation for all students embarking on a study of harmony. Covering chorales, Baroque counterpoint, string quartets and popular songs for the AQA, OCR and Edexcel specifications, author Dr Benham carefully introduces any material not previously covered in the AS Music Harmony Workbook and provides step-by-step guidance on the principal tasks required in A2 Music harmony tests. Topics are illustrated with examples from a useful range of musical styles and each is dealt with in a progressive way, starting with short and simple examples, clear explanations of terminology and carefully-graded exercises for practice.
John Taverner
John Taverner was the leading composer of church music under Henry VIII. His contributions to the mass and votive antiphon are varied, distinguished and sometimes innovative; he has left more important settings for the office than any of his predecessors, and even a little secular music survives. Hugh Benham, editor of Taverner‘s complete works for Early English Church Music, now provides the first full-length study of the composer for over twenty years. He places the music in context, with the help of biographical information, discussion of Taverner‘s place in society, and explanation of how each piece was used in the pre-Reformation church services. He investigates the musical language of Taverner‘s predecessors as background for a fresh examination and appraisal of the music in the course of which he traces similarities with the work of younger composers. Issues confronting the performer are considered, and the music is also approached from the listener‘s point of view, initially through close analytical inspection of the celebrated votive antiphon Gaude plurimum.
Edexcel AS and A Level Music Study Guide
Edexcel AS and A Level Music Study Guide is a definitive study guide for the AS and A Level syllabuses, written for exams 2017/2018 onwards. This comprehensive guide: - supports all components of the AS and A Level courses: Performing, Composing and Appraising - covers every set work in detail - provides guidance on the full list of composition briefs - includes tests and practice essay questions - Sample pages are available to view here.
A Level Music Harmony Workbook 1
The A Level Music Harmony Workbook 1 provides a firm foundation for all students embarking on a study of harmony. Assuming very little prior knowledge, it guides you through topics such as intervals, chord construction, cadences, harmonic progressions, part-writing and figured bass. Activities are provided throughout the book to help you learn and practise the skills you are acquiring. This book is a thoroughly revised edition of the AS Music Harmony Workbook (2008), updated to meet the requirements of the 2016 A Level Music specifications for all exam boards. Follow on with A Level Music Harmony Workbook 2 to learn how to apply your knowledge to a wide range of tasks, including the harmonisation of chorales in the style of J S Bach.
My False Heart
Prepare yourself for heart-stopping romance in this luminescent love story about a chance meeting between two strangers one dark, rain-swept night in the English countryside. From that moment on, their destinies are forever changed. When Elliot Armstrong, the marquis of Rannoch, pursues a spiteful mistress into the wilds of Essex to sever their relationship, he is surprised to find himself hopelessly lost—in more ways than one. Inexplicably drawn to a warmly fit house along an isolated country lane, he is mistaken for an overdue guest—but he dares not reveal his identity for fear of being tossed back out into the torrential rain, a fate he admittedly deserves. The loving family that inno...
Early English Composers and the Credo
This book develops an innovative approach for understanding the relationship between music and words in the works of five major composers of the English Renaissance: John Taverner, Christopher Tye, John Sheppard, Thomas Tallis, and William Byrd. Focusing on these composers’ settings of the Latin Credo, the author shows how musical and linguistic emphasis can be used to understand the composers’ theological interpretations of the text. By combining markedness theory with style analysis, this study demonstrates that the composers used their musical skills to not only create beautiful music but also raise certain elements of the text to the foreground of perception and relegate others to supporting roles, inviting listeners to experience the familiar words of the liturgy in unique ways. Providing new insights into the changing musical and religious world of the sixteenth century, this book is relevant to anyone researching music or religion in early modern England, while offering a flexible and widely adaptable tool for the analysis of musical-textual relationships.
