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Analyzing "totalitarianism from below" in a crucial area of Soviet culture, Hugh Hudson shows how Stalinist forces within the architectural community destroyed an avant-garde movement of urban planners and architects, who attempted to create a more humane built environment for the Soviet people. Through a study of the ideas and constructions of these visionary reformers, Hudson explores their efforts to build new forms of housing and "settlements" designed to free the residents, especially women, from drudgery, allowing them to participate in creative work and to enjoy the "songs of larks." Resolving to obliterate this movement of human liberation, Stalinists in the field of architecture unl...
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Erlund Hudson's etchings, sketches and watercolours are nearly always concerned with women at work or at rest, in wartime, domestic or ballet scenes. After a mere 20 years as a professional artist Hudson abandoned painting and became involved in the world of ballet, working as artistic director at the Brooking School of Ballet with Nesta Brooking, her companion of almost 50 years. Although Hudson's output as an artist was relatively small, its significance is shown in that her work can now be found in important collections in Great Britain and North America, including the Imperial War Museum. In this first biography of Eleanor Erlund Hudson (1912-2011) Simon Fenwick creates a moving and informative portrait of the woman and the artist during her long life. The fully illustrated monograph also includes a list of her pictures shown by exhibiting societies during her lifetime.
This book combines social and institutional histories of Russia, focusing on the secret police and their evolving relationship with the peasantry. Based on an analysis of Cheka/OGPU reports, it argues that the police did not initially respond to peasant resistance to Bolshevik demands simply with the gun—rather, they listened to peasant voices.