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Selected Essays of Hugh MacDiarmid
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.
Hugh MacDiarmid
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To Circumjack MacDiarmid
More than Eliot or Pound, the career of Scottish poet Hugh MacDiarmid reflects the restless nature of the modern age. From his early opposition to poetry in Scots to the triumphant use of dialect in Sangschaw; from these exquisite lyrics to the long dynamic poems A Drunk Man Looks at the Thistle and To Circumjack Cencrastus; from the abandonment of Scots to the glacial, 'scientific' English of the unassembled Mature Art - most critics have limited themselves to a single phase of MacDiarmid's career. This study attempts, in his own phrase, to 'circumjack' or 'fully explicate' a troubling but brilliant author. Examining his earliest work, Herbert posits a symbolic structure which governs all MacDiarmid's periods, as well as explaining his need for ceaseless change. MacDiarmid emerges as a modernist of international stature, but also as a radical experimenter whose work anticipates post-modernist concerns.
Hugh MacDiarmid
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Complete Poems
Two-volume edition of MacDiarmid's Complete Poems reprints the texts of the Penguin edition (1986), which was based on the first edition of 1978, which MacDiarmid himself saw through the press. Additional poems discovered since the first edition of 1978 are included, and the additional text revised. MacDiarmid insisted that his Complete Poems should be books of poetry, uncluttered by editorial annotations and notes. Michael Grieve, the poet's son, and W. R. Aitken, his bibliographer, have carefully followed his instructions, and compiled an extensive glossary based on the earlier collections. --
Hugh MacDiarmid
Baglow shows that this search for justification was a focus for MacDiarmid almost from the start, but that it was only with his development of "synthetic Scots" that he begin to grapple with it directly. While at first the idea of a Scottish essence seemed to promise the spiritual foundation MacDiarmid was seeking, as his poetry developed this idea became less important and he came to see poetry as an unrealizable ideal. This reading of MacDiarmid's poetry, relating it to the modernist movement, will be of value to readers interested in twentieth-century literature.
