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Hughie O'Donoghue
Hughie O'Donoghue's works are suffused by imagery depicting war but not in the traditional sense.
Hughie O'Donoghue
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Naming the Fields
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Hughie O'Donoghue
Features an interview recorded in 1989, with Manchester born painter Hughie O'Donoghue. This title contains sources of development from Michelangelo and 'The Laocoon in Rome' to El Greco and his 'View of Toledo', thoughts on the dynamism of the paintings, and also descriptions of' Sleeper Diptych' and 'The Irish Sea' paintings.
Hughie O'Donoghue
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Hughie O'Donoghue
The Artists Laboratory series presents the more experimental and less familiar work of contemporary artists, opening up the creative process to explore the conceptual, visual and practical issues with which they engage. For the painter Hughie ODonoghue RA (b. 1953), this process involves research into his familys past in particular his fathers experiences in the Second World War an ongoing project that he likens to a draughtsmans exploration of subject-matter. Seeking in his art to remember events that he did not witness himself, to put flesh on the bones of history, ODonoghue unites this immersive investigation in personal and public archives with his preoccupation with art history, artefacts and mythology, creating poetic and moving works of universal significance. In this book, the fifth in the Artists Laboratory series, ODonoghue and his fellow Royal Academician Grayson Perry discuss ideas of remembrance and the subjective re-telling of history, while ODonoghue himself reflects on the personal and art-historical references that inform his practice. The book will also be published in a limited edition containing a specially made print signed by the artist.
Hughie O'Donoghue
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Hughie O'Donoghue
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Art, Imagination and Public Service
A collection of three conversations between artists and public servants. Intended to inspire public servants of all kinds to reconnect fearlessly with their fundamental humanity, the three conversations in Art, Imagination and Public Service present a way of thinking about imaginative, compassionate, and intelligent public service. The book consists of three dialogues: between former UK Home Secretary David Blunkett and poet Micheal O’Siadhail, former UK Supreme Court president Brenda Hale and painter Hughie O’Donoghue, and UK Permanent Secretary Clare Moriarty and musician James O’Donnell. Together they explore how art and imagination can sustain public servants and enable them to find new ways of addressing the problems facing government, parliament, and the law—problems that resist utilitarian responses in which people end up being treated only as statistics in a target-driven world. Through these conversations, the speakers discover surprising connections in approaches to their work.
Richer Dust
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