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Humphry Repton (1752–1818) remains one of England’s most interesting and prolific garden and landscape designers. Renowned for his innovative design proposals and distinctive before-and-after images, captured in his famous “Red Books,” Repton’s astonishing career represents the link between the simple parklands of his predecessor Capability Brown and the more elaborate, structured, and formal landscapes of the Victorian age. This lavishly illustrated book, based on a wealth of new research, reinterprets Repton’s life, working methods, and designs, and examines why they proved so popular in a rapidly changing world.
Inspired by French and Italian landscape painting, a number of eighteenth-century artist-gardeners led by William Kent created an art-form unique in the West, althought favoured from times of antiquity in China and Japan: the picturesque garden - virtually a landscape picture made not of paint on canvas but of real country and buildings. Towering above the rest of the professional practitioners of this art, in terms both of genius and industry, were two remarkable men, Capability Brown and his successor Humphry Repton. Both transformed many thousands of acres of England and Wales from 'natural' into 'picturesque' landscape; both , in the course of their work, met many of the leading men of their day, and George III made a friend of Brown; both, in their different ways, exerted a lasting influence on other landscape designers, including those of America and Europe. -- Book jacket.
The leading landscape gardener of late Georgian England, Humphry Repton was innovative and prolific. This work frames his life in five domains - the road, the country, the picturesque landscape, the aristocratic estate and the urban periphery.
This publication reproduces all the text pages and illustrations from the two Red Books in the collection of the Garden Library at Dumbarton Oaks; that for Brandsbury, produced in 1789 as the first Red Book, and the one for Glemham Hall, produced in 1791.
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