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An illustrated work focusing on the ways in which satirical publications revealed evolution in Ottoman society.
The book focuses on the changes that the media system in Turkey went through since early 2000s. Its perspective considers sociology of citizenship and focuses on processes such as Europeanization, de-Europeanization, authoritarianism on the one hand and implications of digitalization and convergence on the other. It tracks the transformation of the media system through the trajectories of normative, participative, and entrepreneurial citizenship practices. The final sections focus on aspects of convergence evidenced in bottom-up and participatory forms of digital media such as the birth of citizen journalism and fact-checkers after the demise of conventional mainstream media in recent years.
This book analyzes the transformation of Turkey’s international and domestic politics in the past two decades through a comprehensive domestic- international nexus. It examines the domestic system and the main historical challenges without neglecting their international drivers and looks into main foreign policy areas and issues by accounting for the domestic developments that affected them. Looking inside Turkey’s transformation on the basis of an interplay of external and internal factors, through the prism of critical scholars who all agree on the interdependency of national and international politics, it is designed to provide a thoughtful look into the future of Turkey through themes and regions.
Insightful reinterpretation of data-gathering, surveillance, cloning, and reproductive tissue and their implications for democratic politics
Since the end of the 1980 coup d’état Turkey has been in the midst of a complex process of democratization. Applying methodological pluralism in order to provide a comprehensive analysis of this process in a Turkish context, this book brings together contributions from prominent, Turkish, English, French, and Spanish scholars. Turkey’s Democratization Process utilises the theoretical framework of J.J. Linz and A.C. Stepan in order to assess the complex process of democratization in Turkey. This framework takes into account five interacting features of Turkey’s polity when making this assessment, namely: whether the underlying legal and socioeconomic conditions are conducive for the de...
After landslide electoral victories, two referenda and a presidential election, thirteen years of AK Party rule have shattered many myths regarding Turkey’s politics and the nature of the party itself. This book argues that the last thirteen years are best understood via the AK party’s interaction with the social-political realm. It focuses on criticism, dissent and opposition from prominent organized groups in Turkish society, which themselves represent significantly different traditions, ideologies and interests. Bringing together specialists from across the field, its chapters explore key societal actors to reveal the dynamics behind the last decade of AK Party rule. Overall, the book throws light on the extent to which the government’s characters, trajectories, policies and leadership style have been interactively shaped by opposition and dissent. Exploring the historically unprecedented and politically controversial rule of the AK Party, as well as the relationship between modern societal groups and a government driven by a conservative Islamic tradition, this book is a valuable resource for students and scholars of Turkish studies, as well as politics more generally.
The Paramilitary Hero on Turkish Television: A Case Study on Valley of the Wolves explores the representation and reception of nationalism and masculinity in Turkey through an examination of the popular television serial, Valley of the Wolves which has been aired on Turkish television since 2003. This detailed examination of the show demonstrates a particular discourse of nationalism, namely the Turkish Islam synthesis embedded in a gender-specific regime in which the paramilitary hero is placed at the centre. The study draws on thirty-seven in-depth interviews with viewers of the programme from different social backgrounds. These viewers read the serial from various perspectives in the light of their gendered experiences, suggesting that the relationship between text and audience is not necessarily predetermined by the former, but is rather constructed through an interdiscursive process. The book also examines the pleasures of the “contesting” readers of Valley of the Wolves, drawing on the audience interviews, and argues that critical approaches to a particular media text do not present a barrier to audience pleasures.