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Against the Grain
Against the Grain is about eccentric and reclusive asethete Jean des Esseintes. The last scion of an aristocratic family, Des Esseintes loathes nineteenth-century bourgeois society and tries to retreat into an ideal artistic world of his creation. You will love this culture-filled representation of high-class 19th-century French society.
The Cathedral
Fiction. "The Cathedral" is a reissue of a classic novel of spiritual awakening by the author of Against Nature. "Crafted with painstaking attention to detail, the novel is both an account of a conversion and a detailed examination of the language of medieval art. So thorough is Huysman's description of the cathedral that the book has even been sold as a guide to the building" (Dr. Penelope Woolf). The voice of the main character, Durtal, is as "wicked, witty, (and) self-lacerating ... (as that of) as that of a contemporary scholar with a bad case of mystical anomie" (Elizabeth Young, City Limits).
Against Nature
The hero of this curious novel is des Esseintes, a neurasthenic aristocrat who has turned his back on the vulgarity of modern life and retreated to an isolated country villa. Here, accompanied only by a couple of silent servants, he pursues his obsessions with exotic flowers, rare gems, and complex perfumes and embarks on a series of increasingly strange aesthetic experiments, starting with the decision to give his giant pet tortoise a jewel-encrusted shell...
La-Bas
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Against the Grain
Huysmans was a French novelist noted for his vast scope of language, his sensuous descriptions and satirical wit. His pessimistic outlook showed a deep disgust for modern life. Des Esseintes is the main character. He is an exocentric antihero who despises 19th century upper=class society. Des Esseintes tried to create his own artistic world. This novel is an excellent example of decadent literature.
En Route
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Dilemma
Originally published in book form in French in 1887, Joris-Karl Huysmans' A Dilemma remains a particularly nasty little tale, a mordantly satiric and cruel account of bourgeois greed and manipulation that holds up as clear a mirror to today's neoliberalist times as it did to the French fin-de-siècle. Written smack in-between Huysmans' most famous works--his 1881 Against Nature, which came to define the Decadent movement, and his 1891 exploration of Satanism, Down There--A Dilemma presents some of Huysmans' most memorable characters, including Madame Champagne, the self-appointed Parisian protector of women in need, and the carnal would-be sophisticate notary Le Ponsart, who wages a war of w...
Against the Grain
Against the Grain (1884) is a novel by the French writer Joris-Karl Huysmans. Its narrative concentrates almost entirely on its principal character and is mostly a catalogue of the tastes and inner life of Jean des Esseintes, an eccentric, reclusive aesthete and antihero who loathes 19th-century bourgeois society and tries to retreat into an ideal artistic world of his own creation. � rebours contains many themes that became associated with the Symbolist aesthetic. In doing so, it broke from Naturalism and became the ultimate example of "decadent" literature.Charles-Marie-Georges Huysmans (1848-1907) was a French novelist who published his works as Joris-Karl) Huysmans. He is most famous for the novel "� rebours" (1884, published in English as Against the Grain or Against Nature). He supported himself by a 30-year career in the French civil service.Huysmans' work is considered remarkable for its idiosyncratic use of the French language, large vocabulary, descriptions, satirical wit and far-ranging erudition. First considered part of Naturalism, he became associated with the decadent movement with his publication of "� rebours".
The Cathedral
"The Cathedral (French: La Cathédrale) (1898) is a novel by the French writer Joris-Karl Huysmans. It is the third of Huysmans' books to feature the character Durtal, a thinly disguised portrait of the author. He had already featured the character of Durtal in Là-bas and En route, which recounted his conversion to Catholicism. La Cathédrale continues the story. After his retreat at a Trappist monastery, Durtal moves to the city of Chartres, renowned for its cathedral. Huysmans describes the building in great detail" -- Wikipedia.
The Damned - L-bas
The Damned (Là-bas) By Joris-Karl Huysmans Charles-Marie-Georges Huysmans (February 5, 1848 - May 12, 1907) was a French novelist who published his works as Joris-Karl Huysmans; he is most famous for the novel À rebours. His style is remarkable for its idiosyncratic use of the French language, wide-ranging vocabulary, wealth of detailed and sensuous description, and biting, satirical wit. The novels are also noteworthy for their encyclopaedic documentation, ranging from the catalogue of decadent Latin authors in À rebours to the discussion of the symbology of Christian architecture in La Cathédrale. Huysmans' work expresses a disgust with modern life and a deep pessimism, which led the author first to the philosophy of Arthur Schopenhauer then to the teachings of the Catholic Church.
