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Lee Kang-hyo
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Unexpected Alliances
Since 1999, South Korean films have dominated roughly 40 to 60 percent of the Korean domestic box-office, matching or even surpassing Hollywood films in popularity. Why is this, and how did it come about? In Unexpected Alliances, Young-a Park seeks to answer these questions by exploring the cultural and institutional roots of the Korean film industry's phenomenal success in the context of Korea's political transition in the late 1990s and early 2000s. The book investigates the unprecedented interplay between independent filmmakers, the state, and the mainstream film industry under the post-authoritarian administrations of Kim Dae Jung (1998–2003) and Roh Moo Hyun (2003–2008), and shows h...
Translation’s Forgotten History
Translation’s Forgotten History investigates the meanings and functions that translation generated for modern national literatures during their formative period and reconsiders literature as part of a dynamic translational process of negotiating foreign values. By examining the triadic literary and cultural relations among Russia, Japan, and colonial Korea and revealing a shared sensibility and literary experience in East Asia (which referred to Russia as a significant other in the formation of its own modern literatures), this book highlights translation as a radical and ineradicable part—not merely a catalyst or complement—of the formation of modern national literature. Translation’s Forgotten History thus rethinks the way modern literature developed in Korea and East Asia. While national canons are founded on amnesia regarding their process of formation, framing literature from the beginning as a process rather than an entity allows a more complex and accurate understanding of national literature formation in East Asia and may also provide a model for world literature today.
The Asami Library
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.
Modern Korean Literature
The sixth book in Kegan Paul International's "Korean Culture Series", this volume contains thirty stories that have been selected on the basis of historical interest and literary worth, each representing a monumental moment in the history of Korean Literature. The ten stories in the first part share the common theme of the Korean experience of the confrontation between man and woman; in some stories the relationship is portrayed as innocent and pure, in others the relationship becomes more sophisticated and complex. The ten stories in the second part all deal with old Korean or the old Korean way of life - the Korea of byegone days, which is gradually disappearing in the face of industrializ...
The Pusan International Film Festival, South Korean Cinema and Globalization
This book provides a political and cultural exploration of the Pusan International Film Festival in South Korea since its inception in 1996. By paying a particular attention to the organizers' use of an Asian regionalization strategy, SooJeong Ahn reveals how the festival staked out a unique and influential position within a rapidly changing global landscape. Very little primary empirical research has been conducted to date on non-Western film festivals, though PIFF and Tokyo and Hong Kong have swiftly grown more exciting and influential as testing grounds for global cinema innovations. The initiation, development and growth of PIFF should be understood as resulting from productive tensions ...
Communism in Korea
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Soldiers on the Cultural Front
An understanding of contemporary North Korea’s literature is virtually impossible without an investigation of its formative period, 1945–1960, which saw a gradual transformation from the initial "Soviet era" to a Korean version of "national Stalinism." This turbulent epoch established a long-lasting framework for North Korean literature and set up an elaborate system of political control over literary matters, as well as over the people who served in this field. In 1946 Democratic People’s Republic of Korea (DPRK) leader Kim Il Sung described the country’s writers as "soldiers on the cultural front," thus clearly defining what the nascent Communist regime expected from its intellectu...
Shin Sang-ok
Born in 1926, Shin Sang-ok is recognized as one of the masters of Korean cinema. After graduating from Tokyo Art School, he debuted as a director with "The Evil Night" in 1952 and went on to direct more than 70 films in five decades. Highly-acclaimed retrospectives of his work were screened at the 6th Pusan International Film Festival and at the Museum of Modern Art in New York. Shin was awarded the 1st Daejong Film Awards' Best Director prize for "Mother and a Guest in the Room of Master" and the 1st Baeksang Art Awards' Best Director prize for "Deaf Samryong-I" and the 11th Asia-Pacific Film Festival's Best Director Award for "Red Muffler."
The Politics of Gender in Colonial Korea
This study examines how the concept of "Korean woman" underwent a radical transformation in Korea's public discourse during the years of Japanese colonialism. Theodore Jun Yoo shows that as women moved out of traditional spheres to occupy new positions outside the home, they encountered the pervasive control of the colonial state, which sought to impose modernity on them. While some Korean women conformed to the dictates of colonial hegemony, others took deliberate pains to distinguish between what was "modern" (e.g., Western outfits) and thus legitimate, and what was "Japanese," and thus illegitimate. Yoo argues that what made the experience of these women unique was the dual confrontation with modernity itself and with Japan as a colonial power.
