Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Global Contemporary Art World
The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. He analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and he develops a high...
Coining for Capital
Since the 1980s, a peculiar paradox has evolved in American film. Hollywood’s children have grown up, and the adults are looking and behaving more and more like children. In popular films such as Harry Potter, Toy Story, Pocahantas, Home Alone, and Jumanji, it is the children who are clever, savvy, and self-sufficient while the adults are often portrayed as bumbling and ineffective. Is this transformation of children into "little adults" an invention of Hollywood or a product of changing cultural definitions more broadly? In Coining for Capital, Jyostna Kapur explores the evolution of the concept of childhood from its portrayal in the eighteenth century as a pure, innocent, and idyllic sta...
Korean Horror Cinema
As the first detailed English-language book on the subject, Korean Horror Cinema introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, such as the wonhon (vengeful female ghost) and the gumiho (shapeshifting fox), to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s with The Housemaid, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and introducing readers to films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film...
Minouk Lim
South Korean artist Minouk Lim explores Koreas traumatic political history through media representation, collective memory and rituals in United Paradox. The petite artists catalog from her solo exhibition at Portikus, Frankfurt (2015) and Walker Art Center, Minneapolis, includes color illustrations of the installations, performances, videos and sculptures along with interview with Lim by artist and theoretician Hyunsuk Seo and a script by Seouls Yonsei University History and Space Studies Professor Sunghoon Han. Also inculded is a selection of Lims personal writings on the relationship among historiography, historical events and contemporary experience. The South Korea in Lims project is a nation with a hole in its chesta nation of families divided by territorial disputes and traumatized by civilian massacres, victims of an authoritarian power in service of ideological control and economic growth. Reflecting on the representation and reappropriation of historical events in South Korea, Lim explores the past in a present that prefers to forget. A sadly relevant subject for our times.
Horror to the Extreme
This book compares production and consumption of Asian horror cinemas in different national contexts and their multidirectional dialogues with Hollywood and neighboring Asian cultures. Individual essays highlight common themes including technology, digital media, adolescent audience sensibilities, transnational co-productions, pan-Asian marketing techniques, and variations on good vs. evil evident in many Asian horror films. Contributors include Kevin Heffernan, Adam Knee, Chi-Yun Shin, Chika Kinoshita, Robert Cagle, Emilie Yeh Yueh-yu, Neda Ng Hei-tung, Hyun-suk Seo, Kyung Hyun Kim, and Robert Hyland.
New Korean Cinema
A wide-ranging analysis of modern South Korean cinema.
Dark Forces at Work
Dark Forces at Work examines the role of race, class, gender, religion, and the economy as they are portrayed in, and help construct, horror narratives across a range of films and eras. These larger social forces not only create the context for our cinematic horrors, but serve as connective tissue between fantasy and lived reality, as well. While several of the essays focus on “name” horror films such as IT, Get Out, Hellraiser, and Don’t Breathe, the collection also features essays focused on horror films produced in Asia, Europe, and Latin America, and on American classic thrillers such as Alfred Hitchcock’s Psycho. Key social issues addressed include the war on terror, poverty, the housing crisis, and the Time’s Up movement. The volume grounds its analysis in the films, rather than theory, in order to explore the ways in which institutions, identities, and ideologies work within the horror genre.
Mobile Media in the Asia-Pacific
This century has been marked by the rapid and divergent uptake of mobile telephony throughout the world. The mobile phone has become a poignant symbol for postmodernity and the attendant modes of global mobility and immobility. Most notably, the icon of the mobile phone is most palpable in the Asia-Pacific in which a diversity of innovation and consumer practices – reflecting gender and locality – can be found. Through the lens of gendered mobile media, Mobile Media in the Asia Pacific provides insight into this phenomenon by focusing on case studies in Japan, South Korea, China and Australia. Despite the ubiquity and multi-layered nature of mobile media in the region, the patterns of fe...
MediaCities: Proceedings
Proceedings from MediaCity 4: MediaCities, the International Conference, Workshops and Exhibition mounted at the University at Buffalo May 3-5, 2013. Edited by Jordan Geiger, Mark Shepard and Omar Khan.
Activism and Post-Activism
Activism and Post-activism: Korean Documentary Cinema, 1981--2022 is a new book about South Korean cinema in the private and independent sectors from the early 1980s to the present day. Drawing on the methodologies of documentary studies, Korean studies, and local documentary discourse, author Jihoon Kim argues that what is unique about this forty-year history of South Korean documentary cinema is the intensive and compressed coevolution of activism aspiring to advocate democracy, progressiveness, and equality through alternative media, and post-activist experiments in documentary forms and aesthetics in the service of renewing the activist tradition.
