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Migrancy, Culture, Identity
In Migrancy, Culture, Identity, Iain Chambers unravels how our sense of place and identity is realised as we move through myriad languages, worlds and histories. The author explores the uncharted impact of cultural diversity on today's world, from the 'realistic' eye of the painter to the 'scientific' approach of the cultural anthropologist or the critical distance of the historian; from the computer screen to the Walkman and 'World Music'. Migrancy, Culture and Identity takes us on a journey into the disturbance and dislocation of culture and identity that faces all of us to explore how migration, marginality and homelessness have disrupted the West's faith in linear progress and rational thinking, undermining our knowledge, history and cultural identity.
Mediterranean Crossings
Through an interdisciplinary analysis of literary, musical, and visual works, this book proposes a cultural and historical reconfiguration of the Mediterranean.
Beyond Two Worlds
Examines the origins, efficacy, legacy, and consequences of envisioning both Native and non-Native worlds. Beyond Two Worlds brings together scholars of Native history and Native American studies to offer fresh insights into the methodological and conceptual significance of the two-worlds framework. They address the following questions: Where did the two-worlds framework originate? How has it changed over time? How does it continue to operate in todays world? Most people recognize the language of binaries birthed by the two-worlds tropesavage and civilized, East and West, primitive and modern. For more than four centuries, this lexicon has served as a grammar for settler colonialism. While many scholars have chastised this type of terminology in recent years, the power behind these words persists. With imagination and a critical evaluation of how language, politics, economics, and culture all influence the expectations that we place on one another, the contributors to this volume rethink the two-worlds trope, adding considerably to our understanding of the past and present.
The Postcolonial Question
Brings together renowed and emerging critical voices to respond to the questions raised by the concept of the 'post-colonial'. The contributors explore the diverse cultures which are shaping our global future.
Popular Culture
Iain Chambers approaches the often overlooked details and textures of popular culture through a series of histories which show how it becomes continually remade as each of us defines our own urban space.
This Good Book
'Sometimes I wonder, if I had known that it was going to take me fourteen years to paint this painting of the Crucifixion with Douglas as Jesus, and what it would take for me to paint this painting, would I have been as happy as I was then?' Susan Alison MacLeod, a Glasgow School of Art graduate with a dark sense of humour, first lays eyes on Douglas MacDougal at a party in 1988, and resolves to put him on the cross in the Crucifixion painting she's been sketching out, but her desire to create 'good' art and a powerful, beautiful portrayal means that a final painting doesn't see the light of day for fourteen years. Over the same years, Douglas's ever-more elaborately designed urine-based installations bring him increasing fame, prizes and commissions, while his modelling for Susan Alison, who continues to work pain and suffering on to the canvas, takes place mostly in the shadows. This Good Book is a wickedly funny, brilliantly observed novel that spins the moral compass and plays with notions of creating art.
Gathering Storms
Alexis Morgan, a top defense attorney, must defend Ian Chambers, a movie star, for murder. What appears to be an open and shut case has more twist and turns in it than a roller coaster. Alexis and Ian were once lovers. Not only do they have to sift through the facts of the case but they must also sift through the stormy emotions that each other brings out and the past they left behind. As the story unfolds, truths and lies are brought to the surface with startling consequences. The GATHERING STORMS of emotions that are locked up inside are finally dealt with.
The Postcolonial Museum
This book examines how we can conceive of a ’postcolonial museum’ in the contemporary epoch of mass migrations, the internet and digital technologies. The authors consider the museum space, practices and institutions in the light of repressed histories, sounds, voices, images, memories, bodies, expression and cultures. Focusing on the transformation of museums as cultural spaces, rather than physical places, is to propose a living archive formed through creation, participation, production and innovation. The aim is to propose a critical assessment of the museum in the light of those transcultural and global migratory movements that challenge the historical and traditional frames of Occidental thought. This involves a search for new strategies and critical approaches in the fields of museum and heritage studies which will renew and extend understandings of European citizenship and result in an inevitable re-evaluation of the concept of ’modernity’ in a so-called globalised and multicultural world.
Churchill and Ireland
The full story of Winston Churchill's lifelong engagement with Ireland and the Irish. A long overdue book which at last addresses the most neglected part of Churchill's legacy, on both sides of the Irish Sea.
