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A Matter of Life and Death
  • Language: en
  • Pages: 113

A Matter of Life and Death

Produced in the aftermath of the Second World War, Michael Powell and Emeric Pressburger's A Matter of Life and Death (1946) stars David Niven as an RAF pilot poised between life and death, his love for the American radio operator June (Kim Hunter) threatened by medical, political and ultimately celestial forces. The film is a magical, profound fantasy and a moving evocation of English history and the wartime experience, with virtuoso Technicolor special effects. In the United States it was released under the title Stairway to Heaven, referencing one of its most famous images, a moving stairway between earth and the afterlife. Ian Christie's study of the film shows how its creators drew upon...

Robert Paul and the Origins of British Cinema
  • Language: en
  • Pages: 355

Robert Paul and the Origins of British Cinema

The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumière brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain’s most important early innovator in film, to his rightful place. From improving upon Edison’s Kinetoscope to cocreating the first movie camera in Britain to building England’s first film studio and launching the country’s motion-picture industry, Paul play...

Audiences
  • Language: en
  • Pages: 334

Audiences

  • Categories: Art

"This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and thei...

Arrows of Desire
  • Language: en
  • Pages: 163

Arrows of Desire

  • Type: Book
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  • Published: 1994
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  • Publisher: Unknown

Michael Powell and Emeric Pressburger formed one of the greatest creative partnerships in the history of British cinema - The Archers. Their films were often controversial - Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form amd music. However, in the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film masters. This book is a comprehensive analysis of their films and is a useful guide to their work.

Doctor Zhivago
  • Language: en
  • Pages: 113

Doctor Zhivago

The multiple award-winning Doctor Zhivago (1965) is one of America's finest films of all time. Ian Christie contextualizes the film as an epic Russian love story and a Cold War classic, charts its production and reception, including the contribution of designer John Box, and discusses the unique history of the Bruce Pasternak novel it is based on.

Scorsese on Scorsese
  • Language: en

Scorsese on Scorsese

Martin Scorsese is one of the most celebrated film-makers working today in Hollywood. A five time Academy Award Nominee for Best Director, Scorsese's films consistently push the boundaries of what viewers expect to see on the silver screen. From Taxi Driver to Goodfellas to The Departed, Scorsese continually challeneges audiences with his gritty, often brutal films. Developed from over 30 years of interviews with his friend and fellow director, Michael Henry Wilson, Scorsese on Scorsese is the first book to examine the career of this cinematic master in his own words. Illustrated with documents, and personal photos from Scorsese's own archive along with film stills, this in-depth look at all of Scorsese's masterpieces from his early short films all the way up to his recent Shutter Island (2010) is a key reference work for both fans of the director and professionals looking for the keys to the master's work.

Eisenstein Rediscovered
  • Language: en
  • Pages: 279

Eisenstein Rediscovered

  • Type: Book
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  • Published: 2005-06-28
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  • Publisher: Routledge

In Eisenstein Rediscovered Ian Christie and Richard Taylor present the first true East-West symposium on Eisenstein with an unparalleled diversity of views and methodologies. Two newly discovered texts by Eisenstein are here translated fro the first time, and all the contributors make extensive use of material only recently available - variant scripts, drawings, diaries and other writings - to probe behind the familiar facade. The `new' Eisenstein that emerges is in all respects a more engaging and contemporary figure than is traditionally perceived, his wit, eroticism and exlectic passions defining a distinctively modern sensibility whose rediscovey is long overdue.

Last Machine
  • Language: en
  • Pages: 128

Last Machine

A review of the era of silent film.

The Eisenstein Universe
  • Language: en
  • Pages: 313

The Eisenstein Universe

"In-depth, innovative study of the Soviet era film director, Sergei Eisenstein (1898-1948), which reassess his legacy in the twenty-first century using new research"--

The Cinema of Michael Powell
  • Language: en
  • Pages: 528

The Cinema of Michael Powell

The films of Michael Powell (1905-90) and Emeric Pressburger (1902-88), among them I Know Where I'm Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in British cinema, standing apart from the realist and comic mainstream with their highly stylised aesthetic and their themes of romantic longing and spiritual crisis. Powell and Pressburger are revered by film lovers and film-makers (Martin Scorsese has called them 'the most successful experimental film-makers in the world'). In this first-ever collection of essays on Powell, an international group of critics and scholars map out his film-making skills, providing new readings of individual films, analysing recurrent techniques and themes, and relating them to contemporary debates about gender, sexuality, nationality and cinematic spectacle. Powell, with and without Pressburger, emerges as a film-maker of lasting originality and significance.