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Diachronic Syntax
This text considers syntactic change from the perspective of generative theory. It explains how diachronic generative theory may be used in the study of linguistic change in different languages & shows how diachronic generative syntax links with the study of first-language acquisition, computional linguistics & sociolinguistics.
Agreement and Head Movement
An argument that, contrary to Chomsky, head-movement is part of the narrow syntax.
Parameter Hierarchies and Universal Grammar
In this book, Ian Roberts argues that the essential insight of the principles-and-parameters approach to variation can be maintained - albeit in a somewhat different guise - in the context of the minimalist programme. The book represents a significant new contribution to the formal study of cross-linguistic morphosyntactic variation.
Comparative Syntax
This is a major new textbook on the Principles and Parameters theory of syntax. The goal of the book is to take students from a basic knowledge of syntax up to the point where they are able to read the primary research literature and understand the latest theoretical developments. There is abrief introduction to the minimalist programme, but the intent is to give students enough knowledge of preminimalist theory that they can progress from it to the minimalist literature. In keeping with the emphasis on cross-linguistic research in the PandP framework, many of the main points areillustrated using data from a range of languages.
Syntactic Change
The phenomenon of grammaticalization - the historical process whereby new grammatical material is created - has attracted a great deal of attention within linguistics. This is an attempt to provide a general account of this phenomenon in terms of a formal theory of syntax. Using Chomsky's Minimalist Program for linguistic theory, Roberts and Roussou show how this approach gives rise to a number of important conceptual and theoretical issues concerning the nature of functional categories and the form of parameters, as well as the relation of both of these to language change. Drawing on examples from a wide range of languages, they construct a general account of grammaticalization with implications for linguistic theory and language acquisition.
Ian Roberts
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Parameter Hierarchies and Universal Grammar
In this book, Ian Roberts argues that the essential insight of the principles-and-parameters approach to variation can be maintained - albeit in a somewhat different guise - in the context of the minimalist programme. The book represents a significant new contribution to the formal study of cross-linguistic morphosyntactic variation.
The Wonders of Language
A lively and thought-provoking introduction to the main discoveries and theories about the nature and wonder of language.
The Cambridge Handbook of Historical Syntax
Change is an inherent feature of all aspects of language, and syntax is no exception. While the synchronic study of syntax allows us to make discoveries about the nature of syntactic structure, the study of historical syntax offers even greater possibilities. Over recent decades, the study of historical syntax has proven to be a powerful scientific tool of enquiry with which to challenge and reassess hypotheses and ideas about the nature of syntactic structure which go beyond the observed limits of the study of the synchronic syntax of individual languages or language families. In this timely Handbook, the editors bring together the best of recent international scholarship on historical syntax. Each chapter is focused on a theme rather than an individual language, allowing readers to discover how systematic descriptions of historical data can profitably inform and challenge highly diverse sets of theoretical assumptions.
Mastering Composition
Create Better Compositions by Design The path to better painting begins with Mastering Composition. This effective guide blends clear, visual instruction with 5 step-by-step demonstrations to show you how to plan and paint your best work yet. Composition is the key, and here you'll learn to design paintings with new skill and confidence. It all begins with the armature or structure of the picture plane. Every great painting has one, and you'll see through several famous examples exactly how the Old Masters used armatures to create movement, narrative, harmony and fluidity. Based on these examples, you'll practice what you've learned following a series of hands-on demonstrations. Once you und...
