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In September 1939, thousands of German soldiers were turned loose on Poland. In 1940, they descended on Holland, Belgium and France. In 1941 they went to the Balkans, and then to the USSR. Armed with Leica and Rolleiflex cameras, some of these soldiers were officially commissioned as photographers, while others were asked by their commanders to snap records of events. Among them were trainees who knew about the Bauhaus, and other, older men who could remember Weimar. Some excelled at formal portraiture, others were storytellers, stylists or humanists who wept at what they saw. The style and content of their work changed along with the collective mood after 1942, a change that is discernible in the photographs themselves.00Celebrated author and art historian Ian Jeffrey ? author of How to Read a Photograph and The Photography Book ? has trawled through these albums, picking out the most compelling of these works to create an intimate record of anonymous lives experiencing the unprecedented.
Ian Jeffrey is a superb guide in this profusely illustrated introduction to the appreciation of photography as an art form. Novices and experts alike will gain a deeper understanding of great photographers and their work, as Jeffrey decodes key images and provides essential biographical and historical background. Profiles of more than 100 major photographers, including Alfred Stieglitz, Bill Brandt, Henri Cartier-Bresson, Walker Evans, Paul Strand and Lazlo Moholy-Nagy, highlight particular examples of styles and movements throughout the history of the medium. Each entry includes a concise biography along with an illuminating discussion of key works and nuggets of contextual information, making this book the ideal gallery companion for photography aficionados everywhere.
This brilliant study provides a unique guide to the photographers in the world, from Fox Talbot, the father of photography, to the masters of today.
An introduction to 500 photographers from the mid-19th century to today.
In the tradition of monumental Magnum books, this publication brings together an eclectic assortment of work by the finest photographers of our time, capturing a riveting and seductive series of fleeting moments around the world. For half a century, Magnum photographers - through countless commissions and their own personal work - have produced images that comment on the state of the world. In photographing the landscape they are not just spectators but participants, aware that the land itself has been shaped by man, and that the very notion of a landscape depends on a human viewpoint. As each photographer records and interprets a diversity of subject matter to form a unique personal style, the variations on this theme are endless - landscapes of war, of agriculture, of industry, of cities and motorways, of desolation, celebration and tranquillity. The photographs assimilated in this book invite us to rediscover landscape, and urge us to think more profoundly not only about planet earth in its entirety, but about our own place in it.
From the cameras of the world's top photographers illuminating images present a sweeping picture of human experience, showing photography as a visual history of the 20th century. Includes profiles of history's most memorable photographers. 40 color and 180 bandw illustrations.
Best ways to avoid being beaten, sexually abused, or getting killed; US origin.
Ian Jeffrey is a superb guide in this profusely illustrated introduction to the apprecation of photography as an art form. Novices and experts alike will gain a deeper understanding of great photographers and their work, as Jeffrey decodes key images and provides essential biographical and historical background. Profiles of more than 100 major photographers, including Alfred Stieglitz, Bill Brandt, Henri Cartier-Bresson, Walker Evans, Paul Strand and Lazlo Moholy-Nagy, highlight particular examples of styles and movements throughout the history of the medium. Each entry includes a concise biography along with an illuminating discussion of key works and nuggets of contextual information, making this book the ideal gallery companion for photography aficionados everywhere.
Bringing together a variety of diverse international contributors from the Convict Criminology community, Convict Criminology for the Future surveys the historical roots of Convict Criminology, the current challenges experienced by formerly incarcerated people, and future directions for the field. Over the past two decades research has been conducted in the field of Convict Criminology, recognizing that the convict voice has long been ignored or marginalized in academia, criminal justice practice, and public policy debates. This edited volume provides a much-needed update on the state of the field and how it has evolved. Seven primary themes are examined. Historical underpinnings of Convict ...