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Does the Buddhist swastika encompass the same dogma touted by Adolf Hitler: SOCIALISM? Do Buddhists and Buddhism embrace socialism? Do some Buddhists hide links between the Buddhist swastika and Hitler's cross? China requires Buddhists to support socialism and the socialist government. Some Buddhists in other countries support socialism too. The swastika means "well-being" and "good fortune" from the Sanskrit language. All socialists believe that socialism is beneficent and produces well-being. Hitler believed that too when he touted "socialism" by the very word in his voluminous speeches and writings. Stalin, Mao, Pol Pot, the Kim thugs and many others touted "socialism" by the very word. M...
This collection of letters, complete with analysis, reappraises Oscar Wilde, showing him to be a dedicated and professional writer, attentive to dealing with publishers and cultivating reviewers. It highlights recent changes in outlook towards Wilde.
Bloodlands + Black Earth: Red Flags as History and Warning. Stalin, Mao, & Hitler - their blood red flags and black hearts caused the deaths of millions. There was a conspiracy shared by all three of them and by many others worldwide. They were aided by ideological comrades in the USA. Their comrades continue to cover up their deadly dogma today. Top historical discoveries of the century are revealed in this book, including: (1) Congress and the Flag Code confirm that the military salute was the origin of the Nazi salute. (2) The USA's Pledge of Allegiance inspired Nazi rituals. (3) Public schools spread Nazi behavior. (4) Swastikas represented crossed "S" letter shapes for "socialist" under...
A witty collection of essays from the best writers club in Florida. These writers make the Algonquin Round Table look like a bunch of dead people. Topics include: Terrorists and the World Trade Towers on 9-11; Time Travel; How to avoid the police and the police state; New York's Triangle Shirtwaist Factory Fire; Skippy & the Pledge of Allegiance; Economics 101; She Was Temperamental; the Crucifix. The author Ian Tinny is also the author of the groundbreaking book “Pledge of Allegiance & Swastika Secrets.” It is a semi-biographical work about the nation’s leading authority on the Pledge of Allegiance and his many discoveries, including: (1) that the USA's Pledge of Allegiance to the flag was the origin of the Nazi salute and Nazi behavior; and (2) that the swastika, although an ancient symbol, was also used to represent crossed "S" letters for "socialism" under Nazism (the National Socialist German Workers Party). Tinny explains revelations unearthed from the archival work of historian Dr. Rex Curry. “Drug Detection Dog Training – Libertarian Lawyers Fight Police State USA,” is another book by Tinny.
Conditions for Criticism studies changes in the practice of literary criticism in the nineteenth century and locates those changes within wider movements in British intellectual culture. The growth of knowledge and its subsequent institutionalization in universities produced new forms of intellectual authority. This book examines these processes in a wide variety of disciplines, including economics, historiography, sociology, psychology, and philosophical aesthetics, and explores their impact upon literary criticism. Its thesis is that the work of late nineteenth-century writers such as Walter Pater and Oscar Wilde can be best understood in terms of their engagement with, and reaction to, these general intellectual changes, a view which in its turn reveals the seriousness of their work.
All historians did not see the similar symbolism of Adolf Hitler's NSV, SA, SS logos, as compared with the logo of Hitler's party: the National Socialist German Workers Party. Even today, only exceptional scholars with extraordinary skills (e.g. the USA's Historian Laureate Dr. Rex Curry) are able to perceive the “S”-letter shape of the NSV’s logo (The National Socialist People's Welfare; in German: Nationalsozialistische Volkswohlfahrt). The "S"-letter symbolism is almost as difficult to detect as in Hitler’s Hakenkreuz (hooked cross). It is as imperceptible as in the symbols for the SS and SA (Schutzstaffel and Sturmabteilung). All historians did not see (except for the historian D...
“On The Jewish Question” (OTJQ) was written by Karl Marx and exposes his anti-Semitism. The complete work is here in its entirety for your analysis. It was an inspiration to Adolf Hitler. OTJQ and other work (e.g. the term “Aryan” used by Marx repeatedly in his “Ethnological Notebooks”) were the same ideas that motivated Hitler to gain power in Germany. Top mind-blowing discoveries of the 21st Century were revealed by Marx and his OTJQ (thanks to the academic critique of Professor Rex Curry). Many revelations came to light years after Marx’s death. Some are enumerated in the following paragraphs. For example, the following facts (with credit to Dr. Curry) will be news to most r...
Complete texts of "The Happy Prince and Other Tales," "A House of Pomegranates," "Lord Arthur Savile's Crime and Other Stories," "Poems in Prose," and "The Portrait of Mr. W. H."
Zusammenfassung: This heavily revised second edition in the Essentials of Diagnostic Gynecological Pathology series covers the anatomy, development, histology and normal function of the ovary. Detailed descriptions of non-neoplastic disorders of the ovary; surgery and medical management of ovarian cancer; and the use of imaging, frozen sections and cytology in ovarian pathology is discussed. The work also describes specific disorders of the ovary, fallopian tube and peritoneum. New chapters cover the latest technologies in relevant imaging techniques along with the application of molecular techniques in diagnostic and management practices. Pathology of the Ovary, Fallopian Tube and Peritoneum has been written to be useful diagnostically to general as well as specialist gynecological histopathologists and pathologists in training. Gynecologists, oncologists, genitourinary physicians and cancer nurse specialists will find expert insights here that will help in treatment and counselling of their patients
This is the first collection of critical essays that explores Oscar Wilde’s interest in children’s culture, whether in relation to his famous fairy stories, his life as a caring father to two small boys, his place as a defender of children’s rights within the prison system, his fascination with youthful beauty, and his theological contemplation of what it means to be a child in the eyes of God. The collection also examines the ways in which Wilde’s works—not just his fairy stories—have been adapted for young audiences.