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Reproduction
“With subtlety and wit, [a] prizewinning debut” novel set in 1970s Toronto “explores a liaison across race and class divisions in Canada” (The Guardian, UK). Felicia and Edgar come from different worlds. She’s a nineteen-year-old student and Caribbean immigrant while he is the impetuous heir to his German family’s fortune. When their ailing mothers are assigned the same Toronto hospital room, their chance encounter leads to an unlikely relationship full miscommunications, misunderstandings, and very surprising results. Years later, Felicia’s son Armistice—“Army” for short—is a teenager fixated on get-rich-quick schemes, each one more absurd than the next. The. Edgar finally re-enters Felicia’s life, at yet another inopportune moment, putting this “witty, playful and disarmingly offbeat” saga on the path to its heartfelt conclusion (The Toronto Star, CA). Winner of the Scotiabank Giller Prize
Disorientation
A Boston Globe Best Book of 2021: “Lyrical, closely observed” essays on being Black in the US, Canada, and Trinidad, and how those experiences differed (Kirkus Reviews). Finalist for the 2021 Hilary Weston Writers’ Trust Prize for Nonfiction With that one eloquent word, disorientation, Scotiabank Giller Award winner Ian Williams captures the impact of racial encounters on racialized people—the whiplash of race that occurs while minding one’s own business. Sometimes the consequences are only irritating, but sometimes they are deadly. Spurred by the police killings and street protests of 2020, Williams offers a perspective that is distinct from that of US writers addressing similar t...
Every Breath You Take - Featured in The Times and Sunday Times
'one of the year's most exciting releases' - The Herald China is building the world's first digital totalitarian state, a system of hitherto unimaginable social and political control. Internet freedom has been eliminated and ubiquitous surveillance cameras employ the latest facial recognition technology. Through flagrant cyber espionage, it has plundered Western technology on a massive scale, bullied Western tech companies and academics (though many have been willing accomplices) and intimidated critics worldwide. In doing so, it has become a model for aspiring dictators everywhere. Ian Williams examines the extraordinary rise of the Chinese surveillance state, showing how it has been driven...
The Bad Doctor
Cartoonist and doctor Ian Williams introduces us to the troubled life of Dr Iwan James, as all humanity, it seems, passes through his surgery door. Incontinent old ladies, men with eagle tattoos, traumatised widowers - Iwan's patients cause him both empathy and dismay, as he tries to do his best in a world of limited time and budgetary constraints, and in which there are no easy answers. His feelings for his partners also cause him grief: something more than friendship for the sympathetic Dr Lois Pritchard, and not a little frustration at the prankish and obstructive Dr Robert Smith. Iwan's cycling trips with his friend Arthur provide some welcome relief, but even the landscape is imbued with his patients' distress. As we explore the phantoms from Iwan's past, we too begin to feel compassion for The Bad Doctor, and ask what is the dividing line between patient and provider? Wry, comic, graphic, from the humdrum to the tragic, his patients' stories are the spokes that make Iwan's wheels go round in this humane and eloquently drawn account of a doctor's life.
Word Problems
From Ian Williams, author of Reproduction, winner of the Giller Prize and a June 2020 Indie Next Great Read Frustrated by how tough the issues of our time are to solve – racial inequality, our pernicious depression, the troubled relationships we have with other people – Ian Williams revisits the seemingly simple questions of grade school for inspiration: if Billy has five nickels and Jane has three dimes, how many Black men will be murdered by police? He finds no satisfaction, realizing that maybe there are no easy answers to ineffable questions. Williams uses his characteristic inventiveness to find not just new answers but new questions, reconsidering what poetry can be, using math and grammar lessons to shape poems that invite us to participate. Two long poems cut through the text like vibrating basenotes, curiosities circle endlessly, and microaggressions spin into lyric. And all done with a light touch and a joyful sense of humour.
The Lady Doctor
The Lady Doctor is the follow-up companion graphic novel to Ian Williams's critically acclaimed debut, The Bad Doctor (Myriad, 2014). Dr Lois Pritchard is a salaried partner at Llangandida Health Centre with Drs Iwan James (subject of The Bad Doctor) and Robert Smith. She also works two days a week in the local Genitourinary Medicine (GUM) clinic. She is 40, currently single, despite the attentions of her many admirers, and is, by her own admission, 'not very good with relationships'. When her estranged mother makes a dramatic appearance on the scene, demanding a liver transplant, Lois has to confront her loyalties and make some hard decisions. From the moment we see Dr Lois nipping out behi...
Popular Sovereignty in Early Modern Constitutional Thought
Popular sovereignty - the doctrine that the public powers of state originate in a concessive grant of power from 'the people' - is perhaps the cardinal doctrine of modern constitutional theory, placing full constitutional authority in the people at large, rather than in the hands of judges, kings, or a political elite. Although its classic formulation is to be found in the major theoretical treatments of the modern state, such as in the treatises of Hobbes, Locke, and Rousseau, this book explores the intellectual origins of this doctrine and investigates its chief source in late medieval and early modern thought. Long regarded the principal source for modern legal reasoning, Roman law had a ...
Networks and Connections in Legal History
Explores networks of lawyers, legislators and litigators, and how they shape legal development in Britain and the world.
Personals
Shortlisted for the 2013 Griffin Poetry Prize. These are not love poems. These are almost-love poems. Jittery, plaintive, and fresh, Personals is voiced through a startling variety of speakers who continually rev themselves up to the challenge of connecting with others, often to no avail. Williams writes in traditional poetic forms: ghazals, a pantoum, blank sonnets, mock-heroic couplets, and creates forms of his own: poems that spin into indeterminacy, poems that don’t end. With a deft hand and playful ear, Williams entices the reader to stumble alongside his characters as they search, again and again, for intimacy, for love, for each other.
