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In late 19th-century Paris, the writer Hubert is shocked to discover that Icarus, the protagonist of the new novel he's working on, has vanished. Looking for him among the manuscripts of his rivals does not solve the mystery, so a detective is hired to find the runaway character.
In 2017, Arif Naqvi and The Abraaj Group were on the brink of changing the world of private equity. Abraaj was a pioneer of impact investing, it had helped transform communities and companies across the world by financing healthcare, education and clean energy projects, and it was about to close a new fund worth $6 billion. But then it all came crashing down. On 10 April 2019, after landing at London Heathrow, Naqvi was arrested on fraud charges. He is facing extradition to the United States and a prison sentence of up to 291 years if he is found guilty. The dominant media narrative has painted Naqvi as a thief and fraudster, the key man in an organised criminal conspiracy. But in this explosive book, which is based on extensive research and interviews, Brian Brivati investigates how things are not quite what they seem. Icarus explores how Abraaj found itself caught in the middle of a geopolitical war between the United States and China, and when it would not back down economic hitmen tried to wipe it out.
Isn’t it time that young Icarus was rehabilitated? He wasn’t some spoilt attention-seeker; he was just an imaginative kid who wanted to fly. So where’s the harm in that? No harm – just too much hubris.
Theatre and Boxing focuses on a problem which is of paramount importance for any theatre practitioner and researcher: the actor’s believable body. This problem has been taken up by Stanislavski, Meyerhold, Artaud, Brecht, Decroux, Copeau, Grotowski, and many others. It is an essential hurdle for all who practice the theatrical craft or want to study it theoretically. This hurdle can be considered one of the foundations of theatre science and of the relationship between technique, politics and ethics. This book tells the story of a revolution in the work of the actor in the early- and mid-20th century, a period in which the focus of theatrical interest shifted from the emotions to the body....
Izzy LOVES all the stories the Ancient Greeks told! She can't wait to tell her friends about Icarus, who was a TOTAL NUMPTY, and the Trojan Horse, which ended a war and wasn't even REAL! So pull up a plinth and enjoy all the DRAMA of the original Greek myths, as told by Pamela Butchart and Thomas Flintham, in collaboration with the British Museum. Now with even more SANDALS! Laugh-out-loud fun from Blue Peter Award winners Pamela Butchart and Thomas Flintham. Read more of Izzy's adventures! Baby Aliens Got My Teacher The Spy Who Loved School Dinners My Headteacher Is a Vampire Rat The Demon Dinner Ladies There's a Werewolf in my Tent To Wee or Not to Wee The Phantom Lollipop Man There's a Yeti in the Playground
Clara is bright, strong, and fearless. But when she and the girl who has always lived in her shadow are chosen to enter the labryrinth, the two are torn apart forever and must fight to survive.
Wonder if it were written by David Almond. A powerful, deeply insightful middle grade novel that poignantly deals with themes of friendship, bullying, and loneliness. Alex has worked out a foolproof plan to avoid being picked on. Don't React. It's so simple, it just might work. David, a boy in his class, does react. He's branded a weirdo, becomes an outcast, and is given a terrible nickname. Alex is determined not to suffer the same fate.But one day, Alex gets a note in his bag that forces him out of his safe little world. Who sent the note? And is what it promises true--will a boy really fly?The Icarus Show is an unforgettable story about friendship, loneliness, and a strange kind of genius.
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Jerzy Grotowski’s Journeys to the East is an unusual collection of facts, quotations, and commentaries documenting the real and metaphorical journeys of the Polish theatre director and ‘teacher of performers’ into a geographical and cultural dimension which we used to and still call the Orient. Grotowski’s contacts and meetings with the East are placed here in the context of his biography. Painstakingly researched by Grotowski’s main biographer Zbigniew Osiński, this book is necessary reading for those interested in Grotowski’s deep relationship with the East and in the inspiration he drew from its various cultures. The book will appeal to all readers who feel a need to have a glimpse of the East from the perspective of one of the main theatre reformers in the twentieth century.
With inspired rhyme schemes and use of poetic forms, Icarus confronts Israel Colón's struggles with trauma, religion, and relationships. Through a mercilessly honest approach to writing, Colón shines a light on the experiences of a man barely keeping it together.